Anastasia Bartoli, Günther Groissböck, Carlo Vistoli Max Emanuel Cencic, Ambur Braid, Vera-Lotte Boecker & Julia Lezhneva Lead Theater an der Wien’s 2026-27 Season

The Theater an der Wien has announced its 2026-27 season. Christina Pluhar conducts Cavalli’s “La Calisto” with Stefan Herheim directing. Vera-Lotte Boecker, Milan Siljanov, Luciana Mancini, Arnaud Gluck, Giuseppina Bridelli, Marcel Beekman, Renato Dolcini, Jake Arditti, Juan Sancho, and João Fernandes star. Performance Dates: Sept. 6-28, 2026 Luciana Mancini, Eszter Vörös, and Éva Gárdos perform Corazon Abierto featuring Tangos. Performance Date: {…}

Joyce DiDonato, Lea Desandre, Michael Spyres, Véronique Gens, Emőke Baráth & Dario Solari Headline Opéra de Dijon’s 2025-26 Season

The Opéra de Dijon has announced its 2025-26 season. Here are the vocal performances. The Orchestre National de France performs alongside Cristian Măcelaru and Joyce DiDonato. The program includes music by Alma and Gustav Mahler and Strauss. Performance Date: Oct. 9, 2025 Lea Desandre stars as Händel’s “Theodora” with Hugh Cutting, Véronique Gens, Laurence Kilsby, and Alex Rosen. Thomas Dunford {…}

David Oller, Nicole Chevalier, José Simerilla Romero, Heather Engebretson & Johanna Wallroth Lead Theater Basel’s 2025-26 Season

Theater Basel has announced its 2025-26 season. Premieres  Kurt Weill’s “Aufstieg und Fall der Stadt Mahagonny” will be directed by Benedikt von Peter. Jasmin Jorias Etezadzadeh, Ronan Caillet, Andrew Murphy, Solenn’ Lavanant Linke, Rolf Romei, Ervin Ahmeti, Elliott Carlton Hines, and Marius Aron star.  Stefan Klingele and Thomas Wise conduct. Performance Dates: August 28-Oct. 26, 2025 David Oller, Carmen Artaza, {…}

Salzburg Festival 2023 Review: The Greek Passion

(Photo: SF/Monika Rittershaus) Bohuslav Martinů’s opera “The Greek Passion” is a work still in search of its audience. The opera, seldom performed, is considered to be one of Martinů’s finest compositions. This season’s Salzburg Festival tried hard to make “The Greek Passion” a rare and visually noteworthy production. But it didn’t quite work out. The opera’s political radicalness and musical accomplishments are {…}