Everyone knows Nina Stemme for her dramatic skills, particularly for her Wagner repertoire. As a matter of fact, she is the leading Brünhilde and Isolde of our time and she is in demand all over the world. But in fact, Stemme did not begin with this repertoire and before her breakout Isolde with Plácido Domingo, this singer did a number {…}
Last week Operawire took a look at some of the 10 must see summer operas in the United States. It featured a range of repertoire and some very intriguing new stars. This week we look at the European Festivals and see where the big stars will be and what they will be performing. The following is a list of OperaWire’s 10 {…}
The English National Opera has released its schedule for the 2017-18 season which features nine operas between September 2017 and April 2018. The season includes four new productions and six revivals. Verdi’s “Aida” is the first opera of the season kicking things off on Sept. 28 and running all the way through December. Latonia Moore and Morenike Fadayomi alternate the {…}
Fiorenza Cossotto is widely considered one of the greatest mezzo-sopranos of the 20th century and arguably this writer’s favorite mezzo of all time. In honor of her 82nd birthday, OperaWire has decided to take a look at some of our favorite recordings the mezzo recorded throughout her lengthy and prolific career. “La Favorita” with Alfredo Kraus Donizetti’s operatic masterpiece was one of {…}
The Teatro Real has finally announced its 2017-18 season, later than most other organizations. But the company has packed quite a punch for its upcoming showcase, with 13 operas on the docket. It all starts on Sept. 13 with Mozart’s rarely performed “Lucio Silla” directed by Claus Guth. The cast will be led by Patricia Petibon, who will sing five {…}
Krassimira Stoyanova is not your typical diva. Nor has she managed to carve out a career with the “expected” working conditions for most singers of her caliber. Since her debut at the Sofia National Opera House in 1995, the Bulgarian soprano has become a famed interpreter of the Italian operatic repertoire, singing at all the greatest theaters in the world. Her {…}
I preface this by stating that this review is for the performance on March 31, 2017. I would also like to recognize that this is just one, performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective of one performance. Despite being such a familiar opera, {…}
Mezzo-soprano Dolora Zajick is synonymous with Verdi. She’s been the leading Azucena at the Metropolitan Opera house over the last few years, singing the role a whopping 58 times since her debut on October 8, 1988, also in that very role. In Verdi’s “Aida,” she has performed the role of Amneris 80 times at the house. Throw in 17 performances {…}
On Friday, Feb. 10, legendary soprano soprano Leontyne Price turns 90. The soprano is perhaps one of the greatest in the history of all of opera, her influence spreading far and wide. Not only do other artists embrace her greatness, but her prominence on the operatic stage in the 50’s and 60’s helped open the door for black singers to {…}
The Washington National Opera has just announced its 2017-18 season. Aida The company will kick off the year with a new production of Verdi’s “Aida.” Directed by Francesca Zambello, the new production will be co-produced with San Francisco Opera, Seattle Opera, and Minnesota Opera. The opening performance takes place on Sept. 9 and the run lasts until Sept. 23, a {…}
On Jan. 4 Grace Bumbry will celebrate her 80th birthday. The mezzo soprano is recognized as one of the pioneers in the world of classical music who paved the way for future African-American opera and classical singers. The mezzo had the distinction of having a powerful and big voice that sang with commitment and intensity. She was also recognized for her agility and bel canto {…}