Soprano Aida Garifullina is set to perform at the opening ceremony of the 2018 FIFA World Cup on Thursday, June 14, 2018. The soprano will join pop star Robbie Williams and Brazil’s two-time FIFA World Cup champion Ronaldo to entertain the stadium crowd and the millions watching around the world during the half hour before kick-off for Russia vs Saudi Arabia in {…}
On the eve of the 2018 FIFA World Cup, Red Square will host an operatic concert featuring some of the world’s greatest singers. Valery Gergiev will conduct the Mariinsky Theatre Orchestra in a gala featuring Anna Netrebko, Yusif Eyvazov, Ildar Abdrazakov, Aida Garifullina and pianist Denis Matsuyev. They will also be joined by Roberto Alagna as a special guest and Albina Shagimurtova. {…}
The Staatsoper Unter den Linden Berlin has announced its 2018-19 Season, featuring numerous new productions and revivals featuring some of today’s most popular artists and conductors. Here is a look at what to expect next season. New Productions (in alphabetical order by title) Sonya Yoncheva headlines a new production of Cherubini’s “Medea” with Andrea Breth directing. Daniel Barenboim conducts the star-studded cast, {…}
It’s a weekend of heavy repertoire from Wagnerian works to Tchaikovsky’s rarely performed operas. And there is a special Kurt Weill piece that is receiving a rare run. Find out what we think you should see this weekend. Lohengrin – Prague National Theatre, Czech Republic Wagner’s Bel canto masterpiece returns to the stage in Wolfgang Wagner’s production directed by Katharina Wagner. The {…}
Every season the Metropolitan Opera has some of the greatest stars in the world. Some return for the first time in years while others are Met veterans. But there are also debuts that are unexpected or important for the house. The 2018-19 season will undoubtedly bring six debuts that all opera goers need to see. Nicole Car -“La Boheme” The {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment, given the fact that {…}