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Carmela Remigio, Roberta Mantegna & Luca Salsi Headline Teatro La Fenice’s 2019-20 Season

https://operawire.com/carmela-remigio-roberta-mantegna-luca-salsi-headline-teatro-la-fenices-2019-20-season/

The Teatro La Fenice has announced its 2019-20 season featuring a number of productions and concerts. Opera  Alex Esposito, Piero Pretti, Julian Kim, and Maria Agresta star in Verdi’s “Don Carlo.” Myung-Whun Chung conducts a production by Robert Carsen. Performance Dates: Nov. 24-Dec. 7, 2019 Enrico Calesso conducts a new production of Carlo Collodi’s “Pinocchio.” Gianmaria Aliverta directs the production in a new version with Silvia Frigato {…}

Reviews, Stage Reviews

Teatro la Fenice 2018-19 Review: Il Re Pastore

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Following on from its production of “Il Sogno di Scipione,” Venice’s La Fenice staged another Mozart rarity, “Il Re Pastore.” Although being a more mature work, the two operas share many characteristics; both were set to a libretto by Metastasio, written for sopranos and tenor voices (although in the latter work the role of Aminta was written for a castrato, {…}

Reviews, Stage Reviews

Teatro La Fenice 2018-19 Review: Il Sogno di Scipione

https://operawire.com/teatro-la-fenice-2018-19-review-il-sogno-di-scipione/

Originally “Il Sogno di Scipione” was written as a celebratory work for the Archbishop Schrattenbach of Salzburg in 1771, who was unfortunate enough to die before its first performance. Mozart, therefore, took the opportunity to add a new extended final aria and rededicate the work to his successor, Hieronymus Colloredo, which was then performed at his investiture the following year. {…}

Reviews, Stage Reviews

Teatro La Fenice 2018-19 Review: Werther

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Sentimentality is possibly one of the most dishonest emotions we, as human beings, experience. It is also a destructive force in that it inserts a filter between reality and our perceptions, we cease to see the world as it is, but rather allow ourselves to construct a self-indulgent version, in which our feelings are deliberately accentuated or even completely manufactured, {…}

Reviews, Stage Reviews

Teatro La Fenice 2018-19 Review: La Traviata

https://operawire.com/teatro-la-fenice-2018-19-review-la-traviata/

Teatro La Fenice certainly plays its part in making “La Traviata” the most oft-performed opera in the world. This season alone it will present 35 performances, with another 25 scheduled for next year. As in many houses, therefore, Verdi’s much loved opera forms part of the company’s staple repertoire. Obviously, an orchestra’s familiarity with a work may act as either {…}

News

Two Sopranos Replace Lisette Oropesa At Teatro La Fenice

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Lisette Oropesa has canceled her performances at the Teatro la Fenice. The soprano, who was set to make her Fenice debut in Robert Carsen’s production of “La Traviata,” was forced to cancel in order to replace Diana Damrau in a new production of Meyerbeer’s “Les Huguenots” at the Opera National de Paris. The soprano stated via social media, “It is {…}

Reviews, Stage Reviews

Teatro La Fenice 2017-18 Review: Richard III

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Giorgio Battistelli is Italy’s most prolific living opera composer, with a catalogue of more than 30 compositions for the stage. In 2005, his opera, “Richard III,” received its world premiere at the De Vlaamse Opera, Belgium, to considerable acclaim and was followed by revivals in Düsseldorf and Geneva. Now, after more than 13 years, it has received its Italian premier {…}

News

Oksana Dyka, Carmela Remigio & Alessio Arduini To Feature In Teatro La Fenice’s 2018-19 Season

https://operawire.com/oksana-dyka-carmela-remigio-alessio-arduini-to-feature-in-teatro-la-fenices-2018-19-season/

The Teatro la Fence has announced its 2018-19 season and will present a number of repertoire staples and rare gems. The season will also include a divide itself between the Teatro Malibran and Teatro La Fenice. Here is a look at the productions and concerts that will be held during the season. Productions Verdi’s “Macbeth” opens the season in a {…}