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Metropolitan Opera 2016-17 Preview: Placido Domingo Makes Met Role Debut as ‘Nabucco’

https://operawire.com/metropolitan-opera-2016-17-preview-placido-domingo-makes-met-role-debut-as-nabucco/

The Metropolitan Opera will premiere Verdi’s early masterpiece “Nabucco” on Monday December 12 in a performance featuring legendary tenor-turned-baritone Placido Domingo. The Performers This series of six performances will be Domingo in the title role at the Met after he successfully performed it at the Royal Opera House. The performance was released on DVD. Domingo has showcased a number of {…}

IndieOpera, Interviews, Stage Spotlight

Antonella Delli Carpini on Singing & Teaching Menotti’s ‘Amahl and the Night Visitors’ [Exclusive Interview]

https://operawire.com/antonella-delli-carpini-on-singing-teaching-menottis-amahl-and-the-night-visitors-exclusive-interview/

“You could research my family as far back as the 1600’s and you wouldn’t find anyone anywhere involved in music,” declared mezzo soprano Antonella Delli Carpini during a recent chat with Opera Wire in anticipation of her upcoming performance as the mother in Menotti’s “Amahl and the Night Visitors” at Opera Breve. But now she is the first. And it {…}

Special Features

Verdi’s ‘Nabucco’ the Gateway Toward Religious Exploration & Condemnation in Composer’s Operas

https://operawire.com/verdis-nabucco-the-gateway-toward-religious-exploration-in-composers-operas/

Few will ever overlook Verdi’s “Nabucco.” While the venerable composer undoubtedly surpassed his third opera, “Nabucco,” based on the biblical story, put the composer on the map in a way in a number of ways. It was his first breakthrough, coming at a time when the then 28-year-old was still reeling from the death of his entire nuclear family and {…}

DVD and CD Reviews, Reviews

Manon Lescaut CD Review: Anna Netrebko & Yusif Eyvazov Deliver Puccini’s ‘Desperate Passion’ in Intelligent Performance

https://operawire.com/manon-lescaut-cd-review-anna-netrebko-yusif-eyvazov-deliver-puccinis-desperate-passion-in-intelligent-performance/

When Puccini set out to write his “Manon Lescaut,” the composer drew attention to his “feeling it like an Italian, with a desperate passion.” Though the comment came in the context of his comparing it with Massenet’s own interpretation of the work, that idea of desperation has certainly played into numerous readings of the work. A look at the catalogue {…}