Britten Pears Arts Announces Autumn 2024 Season

https://operawire.com/britten-pears-arts-announces-autumn-2024-season/

(Photo credit: Richard Hubert Smith) Britten Pears Arts has released the details of its Autumn 2024 season. Only opera and vocal events are included in this article. Singers and instrumentalists from the Composition and Performance course present Schoenberg’s “Pierrot Lunaire” in a masterclass led by soprano Claire Booth and conductor Jonathan Berman. Performance Date: September 17, 2024 (Peter Pears Recital {…}

News

Britten Pears Arts Relases January to May 2024 Lineup

https://operawire.com/britten-pears-arts-relases-january-to-may-2024-lineup/

(Photo credit: Philip Vile) Britten Pears Arts announced the first half of its 2024 season. Laura Bowler, Diana Soh, Nwando Ebizie, and Sivan Cohen Elias collaborate on a week-long residency working on three new commissions. The pieces all which are specifically designed to expand Laura’s practice as a performer will be presented at the end of the residency. Performance Date: {…}

News

Obituary: Influential Director & Artistic Director Jürgen Flimm Dies at 81

https://operawire.com/obituary-influential-director-artistic-director-jurgen-flimm-dies-at-81/

On Feb. 4, 2023, German theater and opera director Jürgen Flimm died at the age of 81 in Berlin. Born on July 17, 1941, Flimm was born in Gießen and studied the theory of drama, literature, and sociology at the University of Cologne. He would begin his career with his first position as assistant director at the Munich Kammerspiele in {…}

Interviews, Stage Spotlight

Q & A: Francesca Aspromonte On Her New CD & Her New Role As Professor of Baroque Singing

https://operawire.com/q-a-francesca-aspromonte-on-her-new-cd-her-new-role-as-professor-of-baroque-singing/

(Photo: Nicola Dal Maso, RibaltaLuce Studio) Back in 2018 OperaWire interviewed Italian soprano and baroque specialist Francesca Aspromonte to talk to her about her newly released CD “Maria & Maddalena,” her love for the baroque repertoire and her desire to expand her repertoire into other areas. Since then she has gone on to cement her reputation with a string of {…}

Interviews, Stage Spotlight

Q & A: Soprano Marie Lys On Her Background, Singing Competitions, ‘Argippo’ & Future Plans

https://operawire.com/q-a-soprano-marie-lys-on-her-background-singing-competitions-argippo-future-plans/

In 2016, while still studying at the Royal College of Music in London, Swiss soprano Marie Lys was offered the role of Asteria in Buxton Festival’s production of “Tamerlano.” Although it was her first professional stage performance she gave a noteworthy presentation, with critics applauding her “impressive range,” “sweet singing” and “appealing, flexible tone.” Since then her career has been {…}

Interviews, Stage Spotlight

Q & A: Sara-Maria Saalmann on Her Love of Singing & Managing a Successful Career in the Competitive World Of Opera

https://operawire.com/q-a-sara-maria-saalmann-on-her-love-of-singing-managing-a-successful-career-in-the-competitive-world-of-opera/

(Photo: Frank Wartenberg) Last December OperaWire reviewed an impressive production of Vivaldi’s “La Fida Ninfa” at the repertory theatre in Regensburg. In the central role of Morastro was the young German-Spanish soprano Sara-Maria Saalmann, whose performance was dramatically intense, but beautifully sung. Working for a repertory company often means a heavy and varied schedule, yet Saalmann is still keen to {…}

Reviews, Stage Reviews

Regensburg 2019-20 Review: La Fida Ninfa

https://operawire.com/regensburg-2019-20-review-la-fida-ninfa/

(Photo: J.Quast) Theater Regensburg’s new production of Vivaldi’s “La Fida Ninfa” was a bold, ambitious, and possibly even reckless, decision for a provincial opera company with a non-specialist baroque orchestra, and a group of singers who, with one or two exceptions, have limited experience in singing baroque opera. Yet, it is illustrative of the extent to which Vivaldi’s operas are {…}

Special Features

Best of 2019 – OperaWire’s Staff on the Best Performances of the Year

https://operawire.com/best-of-2019-operawires-staff-on-the-best-performances-of-the-year/

(Credit: Marty Sohl/Karen Almond-Metropolitan Opera/Ken Howard-Santa Fe Opera/ Gianfranco Rota-Donizetti Opera) We hope that the end of your 2019 is a prosperous one and that the start of 2020 is even better. As we look forward to the next calendar year, we are taking some time to reflect on the opera performances that defined 2019 for many of us. As {…}

Interviews, Stage Spotlight

Q & A: Arianna Vendittelli On The Importance & Challenges Of Singing ‘Ermione,’ Interpretation & Career Development

https://operawire.com/q-a-arianna-vendittelli-on-the-importance-challenges-of-singing-ermione-interpretation-career-development/

Arianna Vendittelli’s career is one that most singers would dream of. She has an established reputation in the Mozart, Rossini and baroque repertoire, singing at the highest level in such roles as roles such as Fiordiligi, Zerlina, Cleopatra, Serse, Eurydice and many more. Moreover, she has been guided by such venerated artists as Ottavio Dantone, Riccardo Muti and Alessandro De {…}

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Britten Pears Arts Announces Autumn 2024 Season

Britten Pears Arts Relases January to May 2024 Lineup

Obituary: Influential Director & Artistic Director Jürgen Flimm Dies at 81

Q & A: Francesca Aspromonte On Her New CD & Her New Role As Professor of Baroque Singing

Q & A: Soprano Marie Lys On Her Background, Singing Competitions, ‘Argippo’ & Future Plans

Q & A: Sara-Maria Saalmann on Her Love of Singing & Managing a Successful Career in the Competitive World Of Opera

Regensburg 2019-20 Review: La Fida Ninfa

Best of 2019 – OperaWire’s Staff on the Best Performances of the Year

Q & A: Arianna Vendittelli On The Importance & Challenges Of Singing ‘Ermione,’ Interpretation & Career Development