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Reviews, Stage Reviews

Z-Space 2019 Review: Howards End, America

https://operawire.com/z-space-2019-review-howards-end-america/

Elegant, thoughtful, persuasive – that is “Howards End, America,” Allen Shearer and Claudia Stevens’ new chamber opera, which just premiered in San Francisco’s Z space. Adapted from E.M.Forster’s outstanding novel, “Howards End,” set in 1910 Edwardian England, Shearer and Stevens turned fiction into music and lyrics set in 1950s America, a time of fierce race relations, class distinctions and challenging {…}

Behind the Scenes, Interviews

Interview: How ‘Howards End, America’ Became An Operatic Reality

https://operawire.com/interview-how-howards-end-america-became-an-operatic-reality/

“Howards End, America” is the newest chamber opera from composer Allen Shearer and librettist Claudia Stevens and its world premiere is set for Feb. 22-24, 2019 at Z Space San Francisco. The innovative and experimental Chamber Music company Earplay, in its first fully staged opera production, co-produces it with RealOpera. “Howards End, America” is an adaptation of E. M. Forster’s {…}

Reviews, Stage Reviews

WestEdge Opera 2017 Review – Frankenstein: Libby Larsen’s Opera Gets Vibrantly Immersive Production

https://operawire.com/westedge-opera-2017-review-frankenstein-libby-larsens-opera-gets-vibrantly-immersive-production/

If Mary Shelley bumped into Libby Larsen at West EdgeOpera, at the final matinee of “Frankenstein,” what would she have said? “Good job, Girl. Another new vista. A moving monster and a compelling draw away from the axe Viktor Frankenstein had to grind?” Or, “What on earth are you talking about – my monster and his maker, a 21st century {…}