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Reviews, Stage Reviews

Teatro dell’Opera di Roma 2019 Review: Anna Bolena

https://operawire.com/teatro-dellopera-di-roma-2019-review-anna-bolena/

Half way through the second act of Donizetti’s “Anna Bolena,” Giovanna Seymour enters the prison cell of Anna Bolena in an attempt to save her from the execution block by getting her to admit that she is guilty of adultery, precipitating a musical and dramatic confrontation between the two rivals for Enrico’s love. It is a confrontation of epic proportions, {…}

Reviews, Stage Reviews

Opera Di Roma 2017-18 Review – Billy Budd: Company Premiere of Britten Masterwork Given Pitch-Perfect Production

https://operawire.com/opera-di-roma-2017-18-review-billy-budd-company-premiere-of-britten-masterwork-given-pitch-perfect-production/

The central drama in “Billy Budd” unambiguously rotates around the relationships between Seaman Billy Budd, Captain Vere, and the Master-at-Arms, John Claggart. However, the exact nature of the relationships and the psychological motivations upon which they are founded are shrouded in a white mist, opening up the possibility for directors to pursue a variety of valid interpretations. Many recent productions {…}

Reviews, Stage Reviews

Teatro dell’Opera di Roma 2017-18 Review – I Masnadieri: Roberta Mantegna, Artur Rucinski Dominate in Brilliant But Bleak Production By Massimo Popolizio

https://operawire.com/teatro-dellopera-di-roma-2017-18-review-i-masnadieri-roberta-mantegna-artur-rucinski-dominate-in-brilliant-but-bleak-production-by-massimo-popolizio/

It is always interesting to come across a performance of one of Verdi’s lesser known works, although you cannot always be certain of what you will get. Normally, these works are rarely performed for a reason – namely because they are not particularly strong. “Un Giorno di Regno” immediately springs to mind. But sometimes there seems to be no apparent {…}

Reviews, Stage Reviews

Teatro dell’Opera di Roma 2017-18 Review – Fra Diavolo: Great Singing & Production Marry Comedy & Drama Seamlessly

https://operawire.com/teatro-dellopera-di-roma-2017-18-review-fra-diavolo-great-singing-production-marry-comedy-drama-seamlessly/

During the 19th century “Fra Diavolo,” written by Auber to a libretto by Scribe, was one of France’s most popular operas, amassing over 900 performances at the Opéra Comique, before finally being dropped from the repertoire in 1907. Nowadays, it has largely been forgotten, with only the occasional rare outing, of which Opera Roma’s is the latest offering. Yet, based {…}