Interview: Soprano Meghan Picerno’s Balancing Act

https://operawire.com/interview-soprano-meghan-picernos-balancing-act/

Throughout history, many opera stars have managed to make the crossover to Broadway and musical theatre, enjoying successful careers in both. Most recently, Renée Fleming earned raves for her work in “Carousel” on Broadway. Paolo Szot is another in recent years who has also managed a successful development in both arenas as well. Coloratura soprano Meghan Picerno is another taking {…}

Interviews, Stage Spotlight

Q & A: Aprile Millo On Her London Debut & Her Return To ‘Adriana Lecouvreur’

https://operawire.com/q-a-aprile-millo-on-her-london-debut-her-return-to-adriana-lecouvreur/

Newsday once described Aprile Millo as “the high priestess of that old time operatic religion.” Indeed, Millo is still one of the few remaining divas of the past who continues to thrill audiences with her passionate and intense voice and whose sheer honesty continues to bring audiences back to a different time in the opera chronology. A huge exponent of {…}

News

Brenda Rae, Jakub Józef Orliński & Malin Byström To Be Featured In Oper Frankfurt’s 2018-19 Season

https://operawire.com/brenda-rae-jakub-jozef-orlinski-malin-bystrom-to-be-featured-in-oper-frankfurts-2018-19-season/

Oper Frankfurt has announced its 2018-19 season, featuring 14 new productions, a number of revivals and recitals. The season will feature a number of Frankfurt premieres and one world premiere. Here is a look at what to expect. New Productions Peter Eötvös ‘s “Tri sestry” gets its first Frankfurt performances in a new production by Dorothea Kirschbaum. The unique opera, {…}

Behind the Scenes, Interviews

Q & A: Composer, Writer Marisa Michelson on Exploring Female Perspective in ‘Naamah’s Ark’ & ‘Desire | Divinity Project’

https://operawire.com/q-a-composer-writer-marisa-michelson-on-exploring-female-perspective-in-naamahs-ark-desire-divinity-project/

There’s a big conversation going on in the world of opera (and at large) about the need for women to come to the forefront of the creative process. Not only managing opera houses or in a leading role, but also in creating new and refreshing works that tell new and inciting stories. More people like Marisa Michelson, who aside from {…}

Special Features

In Memoriam 2017: Remembering the Major Opera Singers That Passed This Year

https://operawire.com/in-memorium-2017-remembering-the-major-opera-singers-that-passed-this-year/

For many, 2017 was a year to celebrate with many triumphs. It was also a tough year for arts institutions fighting sexual harassment scandals and numerous political issues. And it was also a year that saw many beloved artists and celebrities’ lives come to an end. The opera world was particularly devastated by the loss of many major stars, some of {…}

Special Features

10 Must See Opera Productions Of The Fall 2017-18 Season [International]

https://operawire.com/10-must-see-opera-productions-of-the-fall-2017-18-season-international/

After showcasing a wide range of repertoire that will be showcased this fall in the United States, it’s time to look at the European theaters. With hundreds of houses around the world opening at the same time, it was challenging to put together this list. But after looking through several theaters, OperaWire has curated the must-see operas for this fall {…}

Reviews, Stage Reviews

Bayerische Staatsoper 2016-17 Review – La Forza Del Destino: Jonas Kaufmann, Anja Harteros Dominate In A Personal Narrative Encapsulated In A Far Larger Context

https://operawire.com/bayerische-staatsoper-2016-17-review-la-forza-del-destino/

Verdi’s “La Forza del Destino” has had an uneven performance history despite containing some of the composer’s most memorable music, not least its well-known overture, made famous through concert performances, and the emotionally charged duets that characterize the work. The problem, however, stems not from its music, but from its sprawling structure and the complex tensions that drive the narrative. {…}

Behind the Scenes, Interviews

The Luckiest Man Alive – 100-Year-Old Anton Coppola Looks Back On His Career & Writing a New Ending for ‘Turandot’

https://operawire.com/the-luckiest-man-alive-100-year-old-anton-coppola-looks-back-on-his-career-writing-a-new-ending-for-turandot/

Anton Coppola is the luckiest guy in the world. At least that is how he views the life he has led and continues to lead. The maestro, born on March 21, 1917, and who determined his given career path during the first decade of his existence, is slated for “one last hurrah” when he conducts a final concert on March {…}