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News

Met Opera ‘Akhnaten’ Leads Top 5 Operas To See This Weekend In North America

https://operawire.com/met-opera-akhnaten-leads-top-5-operas-to-see-this-weekend-in-north-america/

With the 2019-20 season fully underway, we have found this challenge of selecting a choice few operas every weekend increasingly challenging as there is really a lot of special work going on around North America. Nonetheless, as per usual, we have whittled it down to five works that we think will bring a balanced operatic diet for those who want {…}

News

Metropolitan Opera 2019-20 Preview: ‘Akhnaten’ To Become Third Philip Glass Opera At Met

https://operawire.com/metropolitan-opera-2019-20-preview-akhnaten-to-become-third-philip-glass-opera-at-met/

(Credit: Richard Hubert Smith / ENO) When it opens this Friday, “Akhnaten” will be but the third Philip Glass opera to ever open at the Metropolitan Opera. In sum there will be eight performances of the opera, bringing the total of Glass opera performances at the famed house to 34. The first opera by the Academy Award nominated composer to {…}

Interviews, Stage Spotlight

Q & A: Bass Zachary James on Auditioning for Philip Glass, ‘Akhnaten’ At the Met & Laying an Egg in ‘The Love for Three Oranges’

https://operawire.com/zachary-james-on-auditioning-for-philip-glass-his-upcoming-met-debut-in-akhnaten-and-laying-an-egg-in-the-love-for-three-oranges/

(Credit: Matt Madison-Clark) Be careful around Zachary James. In his role as the cook in Prokofiev’s madcap “Love for Three Oranges” with Opera Philadelphia, he wielded a lethal ladle. If you were a fan of ESPN’s show, “Great Outdoor Games” you may have seen him handling an ax as a lumberjack, promoting the show in a television commercial. The New {…}

Opera Meets Film, Special Features

Opera Meets Film: Glass’ ‘Akhnaten’ Emphasizes Circularity In ‘Leviathan’

https://operawire.com/opera-meets-film-glass-akhnaten-emphasizes-circularity-in-leviathan/

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the Russian film, {…}

Business, News

Rihab Chaieb Joins Intermusica for General Management

https://operawire.com/rihab-chaieb-joins-intermusica-for-general-management/

(Credit: © Gaetz Photography) Tunisian-Canadian mezzo-soprano Rihab Chaieb has joined the roster of Intermusica for general management. Chaieb recently received acclaim for the title role of “Carmen” and this season is set to return to LA Opera as Dorabella in Mozart “Così fan tutte,” the Metropolitan Opera as Maddalena in Verdi “Rigoletto,” the Canadian Opera Company as Fenena in Verdi “Nabucco,” {…}

Reviews, Stage Reviews

Innsbruck Festival of Early Music 2024 Review: The 15th Pietro Antonio Cesti Competition

https://operawire.com/innsbruck-festival-of-early-music-2024-review-the-15th-pietro-antonio-cesti-competition/

  (Photo credit: © Wibmer) The Pietro Antonio Cesti Competition is a major annual highlight in the world of baroque opera that takes place at the Innsbruck Festival of Early Music, featuring young baroque singers from all over the world. This year’s competition was full of exciting and inspiring moments that OperaWire had the honor of experiencing live. The audience {…}

Reviews, Stage Reviews

Opera Theatre Saint Louis 2024 Review: Galileo Galilei

https://operawire.com/opera-theatre-saint-louis-2024-review-galileo-galilei/

(Photo Credit: Eric Woolsey) Opera Theatre Saint Louis cultivates a justly deserved reputation for promoting contemporary works, having world-premiered 40-some operas in the company’s five decades, and staging many other operas born after WWII but perhaps not new enough to be labeled “contemporary” in 2024. The American legend, Philip Glass, made one prior appearance at the company—in person then, too—with {…}

Special Features

The New Face Of Opera in ‘The Traction Project’

https://operawire.com/the-new-face-of-opera-in-the-traction-project/

(Photo credit: François Matarasso) When you think of opera, one imagines a beautifully finished product, usually disconnected from the labor involved in its creation. But what would happen if the labor to produce opera was just as foregrounded as the result of that labor? This question has been taken up in many forms over the last six to seven decades.  {…}

Reviews, Stage Reviews

Lincoln Center’s Summer for the City 2024 Review: Carlos Miguel Prieto Conducts Haydn & Ginastera

https://operawire.com/lincoln-centers-summer-for-the-city-2024-review-carlos-miguel-prieto-conducts-haydn-ginastera/

(Photo credit: Tuesday night at Lincoln Center offered some true gems, an enticing evening even for seasoned New Yorkers. All the more delightful, as part of Lincoln Center’s Summer for the City, tickets for the show were “choose-what-you-pay”, making it accessible to a wider, more relaxed summer crowd in the Wu Tsai Theater of David Geffen Hall.  It’s a welcome {…}