Metropolitan Opera 2016-17 Review – Rusalka: Mary Zimmerman, Kristine Opolais & Company Take Us On Dramatically Rich Journey To Find Operatic Identity

Metropolitan Opera Review 2016-17 – I Puritani: Diana Damrau, Javier Camarena & Co. Deliver Golden Age Singing

Metropolitan Opera Review 2016-17 – Carmen: Clémentine Margaine & Company Are Dramatically Fulfilling in Bizet’s Masterpiece

New York City Opera 2016-17 Review – Candide: The Best of All Possible Sopranos Leads a Bountiful Comedic Garden

Metropolitan Opera 2016-17 Review – La Bohème: This Is No Routine Production As Fabiano, Pérez & Co. Deliver Vivacity to Powerful Tragedy

Metropolitan Opera Review 2016-17 – Il Barbiere di Sivilgia: You Will Have Fun Seeing Camarena, Yende, Mattei & This Refreshing Cast

Metropolitan Opera 2016-17 Review – Roméo Et Juliette: Damrau & Grigolo’s Chemistry As Emotionally Riveting & Sexy As Ever

LoftOpera 2016 Review – Macbeth: Ambience & Extraordinary Dramatic Goods Make This a Party Worth Attending

Metropolitan Opera Review 2016-17 – Nabucco: Placido Domingo, 75, Is Still a Rockstar & So Is the Rest of the Cast

Metropolitan Opera Review 2016-17 – L’Amour de Loin: Singers Provide Light Despite a Strange Dark Moment in Saariaho’s Masterpiece

Metropolitan Opera 2016-17 Review – Salome: Patricia Racette Descends Into Insanity In Riveting Performance