Stage Reviews
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Theater an der Wien 2017-18 Review – Maria Stuarda: Alexandra Deshorties & Marlis Petersen Put On Revelatory, Sublime Performances
New York City Opera 2017-18 Review – Cruzar la Cara de la Luna: A Revelatory Experience That Puts the Current Immigration Landscape Into New Perspective
Palazzetto Bru Zane 2017-18 Review – Le Tribut de Zamora: Gounod Bicentennial Year Off to a Great Start in Munich
Croatian National Opera 2017-18 Review – Der Fliegende Holländer: Great Musicianship & Artistry Salvage Shipwreck of a Production
Metropolitan Opera 2017-18 Review – Il Trovatore: Four Great Voices Give Verdi Drama Wondrous Life In McVicar’s Genius Production
Utah Opera 2017-18 Review – Moby Dick: Jake Heggie’s Masterwork Soars In Solid Production
Royal Opera House Muscat 2017-18 Review: La Sonnambula: Rosa Feola Triumphs As Famed Bellini Heroine
Teatro dell’Opera di Roma 2017-18 Review – I Masnadieri: Roberta Mantegna, Artur Rucinski Dominate in Brilliant But Bleak Production By Massimo Popolizio
Deutsche Oper Berlin 2017-18 Review – Carmen: Clémentine Margaine & Charles Castronovo Gutted By Director Obsessed With Human Organs & Vivisections
Teatro La Fenice Review 2017-18 – La Metamorfosi di Pasquale: Two Solid Leads Can’t Save Mediocre Work By Young Spontini
