Stage Reviews
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Wexford Festival Opera 2017 Review – Risurrezione: A Stunningly Beautiful Showcase Led By Anne Sophie Duprels That Demands Re-Examination of Alfano’s Art
Chicago Opera Theater 2017-18 Review – The Consul: Menotti’s Opera Given Harrowing Production Featuring Patricia Racette
Lyric Opera of Chicago 2017-18 Review – Die Walküre: Owens and Goerke Excel As Strained Familial Relationships Draw Focus
Metropolitan Opera 2017-18 Review – The Exterminating Angel: Thomas Adès Opera May Prove Polarizing Emotionally
Wexford Festival Opera 2017 Review – The Dubliners: An Exciting Double Bill That Highlights Irish Turmoil
Wexford Festival Opera 2017 – Medea: Heavy-Handed Direction Distracts From Soprano Lise Davidsen’s Stunning Showcase
Wexford Festival Opera 2017 Review – La Scala di Seta: A Perfectly Entertaining, if Uneven, Performance
Lyric Opera of Chicago 2017-18 Review – Rigoletto: Matthew Polenzani, Quinn Kelsey and Rosa Feola Dazzle in Verdi’s Tragedy
Wexford Festival Opera 2017 Review – Margherita: Strong Production Makes Case that Foroni Could Have Challenged Verdi For Mantle of Italy’s Top Composer
Pacific Opera Project 2017-18 – The Monkey’s Paw & The Medium: Double Bill Enchants & Sets Perfect Halloween Mood
New York City Opera 2017-18 Review – Dolores Claiborne: Tobias Picker’s Opera Shocks and Thrills