Royal Opera House 2018-19 Review: Così Fan Tutte
Like a prank fallen flat, Jan Philipp Gloger’s 2016 production of “Così fan tutte” is loaded with unfunny clichés the audience always sees coming. Boasting cardboard imitations of forests, a doctor’s costume making its Despina look like Jesus Christ, huge placards with classic fonts spelling out the Italian words “fedeltà,” “amore” and others, some parts are embarrassing to watch. With {…}