(Photo: Hasan Almasi) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. “Through the stories we tell {…}
Off the Beaten Track is an album review series that takes readers on a cross-disciplinary journey through recordings, spotlighting the cool, the unusual, and the beautiful work created by artists who push boundaries and take the road less traveled. I have a spooky story for you. Ten friends (seven young women and three young men) flee to the countryside to {…}
(Photo: Gianfranco Rota) If I close my eyes and concentrate, even today, locked in cold, rainy Vilnius, I can easily recall Bergamo in November. Warm, yellow, and red lights make their way through the morning fog in Città Alta. Città Bassa is still dark and sleepy. It’s only 7 a.m., and right from the airport, I take a walk in {…}
Photo by Daniel Thiele Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. Last week, a €1.8 trillion {…}
Wild rides abound when you take the trail less taken, and in this column, we’ve taken some crazy trips. But in this installment of “Off the Beaten Track,” the album we’ll explore provides us a chance to settle down and reflect. Elyse Anne Kakacek’s sophomore album, “formless” speaks of loss, hope, and joy—themes that permeate our existence during this historic {…}
On Saturday, Nov. 14, 2020 the Los Angeles Opera gave the company premiere of Joseph Bologne’s “L’Amant Anonyme.” As the opera world in the United States reckons with racial inequity throughout the industry (I can’t really speak for how European companies are approaching these challenges or if they are at all), Joseph Bologne, Chevalier de Saint-Georges has become a seminal {…}
(Art by Zuleyka V. Benitez, used with permission from Haymarket Opera Company) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted {…}
(Credit: Anna Cillan) They say people tend to see what they want, but the tremendous professionalism of the team at Haymarket Opera convinces me that what I see is real. No matter how anxious we all are feeling these days, and how often the authorities and our own industry disappoint us, when I see people doing their job so brilliantly, {…}
(Photos from protests in Bologna by soprano Federica Vitali) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s {…}