(Photo: Masaaki Komori, edits P. Lyapustina) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. At the very end of December of an already very difficult 2020, the European Commission president Ursula von der Leyen and UK {…}
(Photo: Archive Teatro Alla Scala) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. Back in 1996, the Italian government altered its approach to organizations representing priority national interests in the music sector. According to Legislative Decree #367, all {…}
(Photo: Kari Shea) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. Almost five years ago, working on a social news media product concept, I wrote: “It starts with a whisper…” I remember, this single phrase won {…}
(Photo: Jon Tyson) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. This week, I tried to flee from the grave feelings I experienced last week working on my piece about the situation with the Met Orchestra {…}
(Photo: Dmitry Lyapustin) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The way you enter the New Year sets the tone for the whole year ahead, the old superstition said. And I wonder whether we should {…}
(Photo: Danielle Macinnes) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. The opera industry was having {…}
(Photo: Im4theArts) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. Today I watched numerous videos of {…}
In the past eight months, many opera houses have used streaming to reach audiences around the world. This is a format that is new to many companies; however, some of the most prominent opera houses, such as the Metropolitan Opera, have been using this format for years. And while the aim with this format is to maintain companies relevant in {…}
(Photo: David Beale) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. With the end of the {…}
(Photo: Oleg Laptev) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. First, I’ll say, that the {…}
(Photo: Hasan Almasi) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. “Through the stories we tell {…}