“Fra Diavolo” is a rarely performed opera and yet it has a great deal to offer for the tenor that decides to take on its major challenges. Well, this week, tenor John Osborn will be the man to step into the role of Auber’s opera at the Teatro dell’Opera di Roma with a cast that also features Roberto de Candia, {…}
The start of the Met seasons is always an exciting time. A new production of a major classic to kick off the year, followed, usually, by a slew of other classic productions. Usually, we also get a new star making a prominent debut, as is the case with mezzo-soprano Tara Erraught, who is coming to the Met as Nicklausse in {…}
This Saturday, the Lyric Opera of Chicago opens its 2017-18 season with Gluck’s famed “Orphée et Eurydice.” At the center of this drama of lost love will be tenor Dmitry Korchak, who will be taking on the title role of Orphée in his LYOC debut. Joining him will be Ryan Opera Center alumna Andrana Chuchmann as his lover Eurydice. Korchak {…}
It’s never an easy task to open a season at an opera house. But it’s even more challenging to open a season with a role debut and a world premiere. That is the feat that Daniela Mack is tasked with this week as she takes on the role of “Elizabeth Cree” in Kevin Puts and Mark Campbell’s latest collaboration. Mack, {…}
Christine Goerke is considered one of today’s most important dramatic sopranos, performing the most challenging music in the repertoire. Her emergence as the next great Brünnhilde has audiences excited, especially since she is slated to take it on all over the country. But it wasn’t always that way as she began her career with lyric roles and the switch only came {…}
LThe Teatro La Fenice continues its 2016-17 season presenting a rarely heard Rossini work, “L’Occasione fa il Ladro.” The work, which is rarely performed, requires agility and virtuosic coloratura that can give any artist a chance to shine. And this week, rising star Rocio Perez continues her ascent in the opera world, taking on her first Berenice. Perez is no {…}
It’s the final week of the Salzburg Festival, but before it concludes “Lucrezia Borgia” will open in two concert performances with a stellar cast that includes Juan Diego Flórez and Ildar Abdrazaov with Marco Armiliato conducting. But it is Krassimira Stoyanova that headlines the performances in the title role and forays once again into the Bel Canto repertoire. Throughout her career Stoyanova has {…}
This week Aribert Reimann’s “Lear” makes its premiere at the Salzburg Festival in a new production by Simone Stone with Gerald Finley as the title character. The premiere will see Finley in yet another new role as he continues to expand his varied and unique repertoire. For years Finley has been a big proponent of modern and contemporary works, including the {…}
In 2008 a new star graced the stage of the Salzburg Festival in “Roméo et Juliette,” showcasing dramatic power and promising to become the next big star in the opera world. All eyes were on Nino Machaidze who many believed would follow a specific route in the lyric repertoire. However, after nine years of an immensely successful career, Machaidze has {…}
Ever since 2002, Anna Netrebko has been a mainstay at the Salzburg Festival, headlining some of the most acclaimed productions of the showcase. In fact, her productions have often drawn some of the biggest audiences due to her magnetic star power and brilliant stage presence. This week looks to be no different as the diva headlines another new production, Verdi’s {…}
Liana Aleksanyan has had a rollercoaster year making an unexpected debut at the Teatro alla Scala and establishing herself as one of the most acclaimed Cio-Cio Sans of her generation. This week she continues her ascension in the opera world headlining “Aida” at the Macerata Opera Festival. The assumption of Aida brings Aleksanyan to another stage in her career as she takes {…}