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Reviews, Stage Reviews

Innsbruck Early Music Festival 2025 Review: Il Giustino

https://operawire.com/innsbruck-early-music-festival-2025-review-il-giustino/

(Photo: Birgit Gufler) Each year, the Innsbruck Early Music Festival presents its Oper: Jung, an opera performed by singers in the early stages of their careers, who recently made strong impressions at the festival’s Cesti competition. It is an event that rarely disappoints. Not only are the productions of a very high standard, but it is also exciting to watch {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2025 Review: Ifigenia in Aulide

https://operawire.com/innsbruck-early-music-festival-2025-review-ifigenia-in-aulide/

(Photo:Birgit Gufler) In 1718, the Venetian composer Antonio Caldara and the librettist Apostolo Zeno premiered their opera “Ifigenia in Aulide” for the imperial court in Vienna to celebrate Emperor Karl VI of Austria’s name day. This summer, over three hundred years since its last staging, the Innsbruck Early Music Festival brought together a stellar cast under the musical direction of {…}
DVD and CD Reviews, Reviews

CD Review: Innsbruck Early Music Festival’s ‘Il trionfo della Fama’

https://operawire.com/cd-review-innsbruck-early-music-festivals-il-trionfo-della-fama/

As usual, the 2024 Innsbruck Early Music Festival brought a rare work to the stage: Francesco Bartolomeo Conti’s “Il trionfo della Fama,” a one-act serenata composed in 1723 for the coronation of Emperor Charles VI and Empress Elisabeth Christine in Prague. Conceived as court propaganda, the serenata was commissioned to glorify imperial virtues and Habsburgs’ claims to the divine favor {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2023 Review: Juditha Triumphans

https://operawire.com/innsbruck-early-music-festival-2023-review-juditha-triumphans/

(Photo: Birgit Gufler) At the final curtain call of the Innsbruck Early Music Festival’s splendid production of Vivaldi’s only surviving oratorio, “Judtha Triumphans,” the loudest acclamation was reserved for its conductor, Alessandro De Marchi. After 13 years as its artistic director, he is stepping down from the position. The genuine warmth the festival audience showed towards De Marchi was clearly {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2023 Review: L’Olimpiade

https://operawire.com/innsbruck-early-music-festival-2023-review-lolimpiade/

(Photo: Birgit Gufler) After 13 years in the post, Alessandro De Marchi brings his tenure as the artistic director of the Innsbruck Festival of Early Music to a close with a program dominated by the Venetian composer Antonio Vivaldi. Not only do many of the festival’s events feature his music, including the festival’s closing concert “Lieto Fine,” but all three {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2022 Review: Cesti Competition

https://operawire.com/innsbruck-early-music-festival-2022-review-cesti-competition/

(Photo: Die Fotografen) The Innsbruck Early Music Festival’s Cesti Competition, now in its 13th year, continues to cement its standing as a prestige international singing competition for baroque specialists. The final, which took place in Innsbruck’s Haus der Musik in front of an enthusiastic audience, consisted of 10 singers from six countries, comprising two countertenors, five sopranos, two tenors and {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2022 Review: Astarto

https://operawire.com/innsbruck-early-music-festival-2022-review-astarto/

(Photo: Birgit Gufler) Whenever Silvia Paoli’s name is listed as the director for a forthcoming production, one can be fairly certain that it is not going to disappoint. Over the past few years, OperaWire has reviewed a number of her productions, all of which were not just marvelously entertaining, but also very insightful. She has the not-so-common ability to get {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2021 Review: Pastorelle en Musique

https://operawire.com/innsbruck-early-music-festival-2021-review-pastorelle-en-musique/

(Photo: Birgit Gufler) Following on from the previous evening’s heavy and unremittingly dark production of Mattheson’s “Boris Goudenow,” the Innsbruck Early Music Festival continued with a fresh, vibrant, and colorful performance of Telemann’s one-act serenata “Pastorelle en Musique,” written between 1713 – 1716, based on Mollière’s “Les Amants magnifiques.” As with “Boris Goudenow” the work was lost and has only {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2021 Review: Boris Goudenow

https://operawire.com/innsbruck-early-music-festival-2021-review-boris-goudenow/

(Photo: Birgit Gufler) In 1874 Mussorgsky’s ‘Boris Godunov’ received its premiere at St. Petersburg’s Mariinsky Theatre. Yet, he was not the first to write an opera of that name, 164 years earlier in 1710 Johann Mattheson completed his version of “Boris Goudenow,” but for reasons which are now unclear it was not performed during the composer’s lifetime, and ended up {…}

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