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Behind the Scenes, Interviews

Q & A: Pinchgut Opera’s Erin Helyard On Winning An International Opera Award & Moving Forward

https://operawire.com/q-a-pinchgut-operas-erin-helyard-on-winning-an-international-opera-award-moving-forward/

Sydney-based Pinchgut Opera became the first Australian company to win an International Opera Award when it was recently awarded best “Rediscovered Work” for Hasse’s 1740 “Artaserse” at this year’s Awards in London. OperaWire talked to the organization’s Artistic Director, Erin Helyard about the company’s beginnings, upcoming projects, and future endeavors. . OperaWire: What is Pinchgut? What is its brief and {…}

Behind the Scenes, Interviews

Q & A: Pinchgut Opera Artistic Director Erin Helyard On Company’s 2018-19 Season

https://operawire.com/q-a-pinchgut-opera-artistic-director-erin-helyard-on-companys-2018-19-season/

Baroque opera’s popularity is growing every year. You’ve felt it. I’ve felt it. I think everyone in the opera world is feeling it. Everywhere you look, major companies are putting on more works by Handel or Monteverdi. And if those big names aren’t producing them, then you are starting to see smaller companies take on the responsibility of presenting some {…}

News, Season Announcement

Buxton International Festival Announces 2026 Opera Season

https://operawire.com/buxton-international-festival-announces-2026-opera-season/

Buxton International Festival has announced its 2026 opera season. First up is “La Traviata,” as the company seeks to complete its Verdi cycle.  The production is created in collaboration with Norwich Theatre and is directed by James Hurley. Adrian Kelly conducts the Buxton International Festival Orchestra. Performance Dates: July 11- 25, 2026 Next is “The Merry Widow,” a Scottish Opera {…}

Reviews, Stage Reviews

Pinchgut Opera 2025 Review: Maid Made Boss

https://operawire.com/pinchgut-opera-2025-review-maid-made-boss/

(Photo credit: Alison Johnston) Eugene Lynch’s production of “Maid Made Boss,” Pinchgut Opera’s latest presentation, revealed so convincingly what conductor Erin Helyard had spoken-of in a podcast on the company’s website: just how pivotal “La serva padrona” (to use the 1733 work’s original title) must have been in the history of opera, particularly when seen in France (home of the {…}

News, Season Announcement

Pinchgut Opera Announces 2026 Season

https://operawire.com/pinchgut-opera-announces-2026-season/

The Pinchgut Opera has announced its 2026 season. The season opens with Pinchgut’s first-ever orchestral concert, Bach and Telemann I: Concertos and Sonatas. The first installment of a two-part series in 2026 will feature music by Telemann and Bach. Performance Dates: March 28 & 29, 2026 The second production of the season will be Scarlatti’s “The First Murder (Il primo {…}

Reviews, Stage Reviews

Pinchgut Opera 2025 Review: The Fairy Queen

https://operawire.com/pinchgut-opera-2025-review-the-fairy-queen/

(Photo credit: Cassandra Hannagan) How many people on first learning about Purcell’s “The Fairy Queen” have thought, “Why would anyone have inserted masques between the Acts of Shakespeare’s ‘A Midsummer Night’s Dream?’ Did someone think it would improve on Shakespeare?” Some writers have conceded that “Fairy Queen” is mostly, or only, worth staging these days because of Henry Purcell’s music, {…}

News

Pinchgut Opera to Present ‘The Fairy Queen’

https://operawire.com/pinchgut-opera-to-present-the-fairy-queen/

Pinchgut Opera is set to present Purcell’s “The Fairy Queen,” The work will be directed by Netia Jones, who is known for her innovative use of technology and projection. She will transform this Baroque masterpiece into a visually dynamic and immersive experience for this production, marking her Australian debut. In a statement, Jones said, “I want the audience to experience {…}

Reviews, Stage Reviews

Opera Australia 2025 Review: Dido and Aeneas

https://operawire.com/opera-australia-2025-review-dido-and-aeneas/

(Photo credit: Keith Saunders) The Opera Australia production of Purcell’s “Dido and Aeneas” that opened at the Sydney Opera House on March 13 was the second time in a year that Erin Helyard conducted the work. Previously, Helyard’s own company Pinchgut Opera had presented the work at Angel Place Recital Hall. This time Helyard conducted a co-production between Opera Australia {…}

News

Opera Australia to Peform ‘Dido & Aeneas’

https://operawire.com/opera-australia-to-peform-dido-aeneas/

(Credit: ©David Kelly) Opera Australia is set to present Henry Purcell’s “Dido & Aeneas.” The production is Opera Queensland’s production directed by Yaron Lifschitz, Artistic Director of the widely acclaimed acrobatic troupe Circa. The production showcases the winning formula of his highly praised “Orpheus & Eurydice,” merging Circa’s physicality and Opera Australia’s musicianship in a contemporary operatic retelling of the {…}