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News

Jussi Björling Society-USA to Present ‘Björling and Bergonzi: A Comparative Study’

https://operawire.com/jussi-bjorling-society-usa-to-present-bjorling-and-bergonzi-a-comparative-study/

The Jussi Björling Society-USA (JBS-USA) will present “Björling and Bergonzi: A Comparative Study.” The event will take place over Zoom on Oct. 22, 2024, at 7:30 p.m. EDT. Stephen Hastings, author of “The Björling Sound,” will host the event and will be joined by Stefan Johansson, a long-time chief dramaturg of the Swedish Royal Opera, and JBS-USA Board Member Sue {…}

DVD and CD Releases, News

High Definition Tape Transfers Releases Jussi Björling’s ‘Golden Trovatore’

https://operawire.com/high-definition-tape-transfers-releases-jussi-bjorlings-golden-trovatore/

The 1952 RCA recording of Verdi’s “Il trovatore” starring Jussi Björling can now be heard at a higher quality than ever before thanks to High Definition Tape Transfers and Harmony Restorations’ newest release. This celebrated recording features Björling along with Zinka Milanov, Fedora Barbieri, Leonard Warren, Nicola Moscon, Margaret Roggero, and Paul Franke. Renato Cellini is heard leading the RCA {…}

Opera Wiki

Artist Profile: Tenor Jussi Björling, The ‘Swedish Caruso’

https://operawire.com/artist-profile-tenor-jussi-bjorling-the-swedish-caruso/

Jussi Björling was one of the greatest tenors of the 20th century. Born on Feb. 5, 1911 in Sweden, first started learning to sing from his father, who also taught his two brothers. The family often engaged in performances as the Björling Male Quartet and the tenor made his debut public appearance at age five. The group would perform actively {…}

On This Day, Special Features

On This Day: An Extensive Look at Jussi Björling’s Career At the Metropolitan Opera

https://operawire.com/on-this-day-an-extensive-look-at-jussi-bjorlings-career-at-the-metropolitan-opera/

On Feb. 5, 1911, the world was given the great gift that was Jussi Björling. The Swedish tenor became an icon throughout his career, his perfect vocal control a defining feature of his extensive career. Björling is in many ways synonymous with the Metropolitan Opera, becoming one of the company’s principal artists throughout the 1940’s and 50’s singing a wide {…}

Reviews, Stage Reviews

Royal Swedish Opera 2024-25 Review: Die Walküre

https://operawire.com/royal-swedish-opera-2024-2025-review-valkyrian/

(Photo: © Royal Swedish Opera) On March 29, the Royal Swedish Opera performed Wagner’s second opera, “Die Walküre,” from the four-opera epic, “Der Ring des Nibelungen.” Mixing interiors, epochs, and styles, the evening’s production featured (surprisingly sterile) 16th to 17th century Medieval great hall interiors for the first half and 18th to 19th century French fine art lined salon-meets 18th {…}

News, Season Announcement

Johan Reuter, Susan Bullock, Natalya Romaniw, Elisabet Strid, Ricarda Merbeth & Russell Thomas Lead Finnish National Opera’s 2025-26 Season

https://operawire.com/johan-reuter-susan-bullock-natalya-romaniw-elisabet-strid-ricarda-merbeth-russell-thomas-lead-finnish-national-operas-2025-26-season/

The Finnish National Opera has announced its 2025-26 season. Premieres  Engelbert Humperdinck’s “Hansel and Gretel”  will get a new production by Richard Jones and will be presented for the first time since 1996. The new Finnish translation by Mikko Koivusalo will star Tommi Hakala, Samuli Takkula, Tuija Knihtilä, Maiju Vaahtoluoto, Elli Vallinoja, Polina Liiv, Suvi Väyrynen, Emma Mustaniemi, Dan Karlström, and Roland Liiv. Antony Hermus conducts. Performance Dates: Oct. {…}

Reviews, Stage Reviews

Berwaldhallen Review 2024: Khovanshchina

https://operawire.com/berwaldhallen-review-2024-khovanshchina/

(Photo Credits: Maarit Kytöharju) Opening Berwaldhallen’s 2024 Baltic Sea Festival, on August 24th, Esa-Pekka Salonen and Gerard McBurney produced a tastefully contemporary and neo-Wagnerian rendition of Modest Mussorgsky’s unfinished “national music drama,” “Khovanshchina,” to a ravenous public. Awarded, and rightly so, with three ovations, ten soloists from across Europe and three choirs successfully produced one of the most expressive versions {…}