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Reviews, Stage Reviews

Pinchgut Opera 2022 Review: Medée

https://operawire.com/pinchgut-opera-2022-review-medee/

(Photo credit: Cassandra Hannagan) In a podcast for Pinchgut Opera’s latest production, Marc-Antoine Charpentier’s opera “Médée,” Artistic Director Erin Helyard describes the first interpreter of the title role in 1693, Marie le Rochois, as “the greatest actress in all of France.” “Actress.” Not singer? But perhaps the designation provides a clue as to how to appreciate this early French baroque {…}

Reviews, Stage Reviews

Pinchgut Opera 2021 Review: Platée

https://operawire.com/pinchgut-opera-2021-review-platee/

(Photo credit: Brett Boardman) Something happens at the end of Pinchgut Opera’s “Platée” that lifts this production from brilliant to moving. It’s a brainwave of director Neil Armfield’s that should be concealed from those who may yet see this production – the Australian premiere season of Rameau’s 1745 opera – at Sydney’s Angel Place Recital Hall or yet purchase the {…}

IndieOpera

Pinchgut Opera Announces 2021 Season

https://operawire.com/pinchgut-opera-announces-2021-season/

The Pinchgut Opera in Australia has announced its 2021 season. The season opens with “Vespers” by Monteverdi featuring Erin Helyard as conductor and keyboard player. Performance Dates: March 20-25, 2021 Myriam Arbouz, Keara Donohoe, Max Riebl, Nicholas Jones, David Greco, and Andrew O’Connor star in a concert dedicated to Purcell and Charpentier. Performance Dates: Sept. 11-14, 2021 “The Love of Apollo and Dafne” {…}