It is a very busy time for Brazilian pianist Ramon Theobald, as he is preparing the singers of Paris Opera’s Atelier for their production of Rossini’s “La Scala di Seta.” He works as both pianist and assistant conductor. Amid the intense routine of rehearsals, he found some time to explain further about work as a pianist in an Opera house. {…}
(Credit: ) It is very hard to stage a Rossini opera—and even harder to stage his comedies. The maestro of Pesaro’s comic timing, uses and abuses of coloraturas, and overly complicated sexual plots are so ingenious that one nail out of place can compromise the whole machine. Paris Opera Atelier’s staging of “La Scala di Seta” (book by Giuseppe Maria {…}
Wexford Festival Opera’s shortworks, performed during the afternoon at White’s, a local hotel, are small-scale productions of known and lesser-known works in a reduced format with piano accompaniment. The aim is to provide an opportunity for festival singers appearing in minor roles or the chorus to showcase their talents in more substantial roles. Of course, it also provides further opportunities {…}
The Wexford Opera has announced its ShortWorks Daytime Opera slate for 2017. The festival offers a unique way to experience opera from the Clayton Whites Hotel. The daytime productions showcase shortened versions of works, running in at around one hour in length. This year’s festival will feature one repertory staple, an Italian rarity and a world premiere. First up is {…}
