Opera Meets Film: How ‘Funny Games’ Prologue Uses Operas by Handel & Mascagni to Establish Major Themes of Comfort & Chaos
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Michael {…}