Philip Glass has a solid trajectory at the Metropolitan Opera. Though few of his operas have had major representation at the hallowed house, their scant performances have tended to be major successes, often flanked by fantastically conceived productions that manage to get the utmost of his meditative masterworks. “Satyagraha” remains one of the great achievements in the Peter Gelb era, … Continue reading Metropolitan Opera 2019-20 Review: Akhnaten