Sonya Yoncheva, Plácido Domingo, Mariangela Sicilia, Piotr Beczała, Gregory Kunde, Anna Pirozzi, Maria José Siri, Yusif Eyvazov, Carolina López Moreno Lead Teatro San Carlo’s 2026-27 Season

The Teatro San Carlo has announced its 2026-27 season. Mariangela Sicilia, Marta Torbidoni, Piotr Beczała, Stefan Pop, Igor Golovatenko, Franco Vassallo, Michele Pertusi, Gabriele Sagona, Martina Belli, and Marko Mimica star in Verdi’s “Luisa Miller.” Daniel Oren conducts the production by Davide Livermore. Performance Dates: Dec. 2-10, 2026 Anna Pirozzi, Karah Son, Jorge de León, Giorgio Berrugi, Veronica Simeoni, Chiara Tirotta, Marco {…}

Mar 19, 2026

Orchestra I Pomeriggi Musicali 2025-26 Review: Mozart’s Mass in C Minor

(Photo: Lorenza Daverio) The Grosse Messe, or as it is known, the Great Mass in C minor, K. 427 by Wolfgang Amadeus Mozart occupies a singular place within the sacred repertoire. Monumental, deeply expressive, and paradoxically unfinished–much like his Requiem–the work emerged during one of the most intense periods in the composer’s life. The personal and professional context was complex and {…}

Apr 2, 2025

Teatro La Fenice 2024-25 Review: Il trionfo dell’onore

(Photo: Michele Crosera) Although the Sicilian composer Alessandro Scarlatti (1660–1725) is famed for his prolific output of operas–he claimed to have written well over 100–which were significant in laying the foundations for the development of 18th century opera seria, he rarely strayed into the field of comic opera. The single major exception was his 1718 work, “Il trionfo dell’onore,” written {…}

Jun 22, 2022

Cecilia Bartoli to Make Wiener Staatsoper Debut With Rossini Mania Series Alongside Opéra de Monte-Carlo & Les Musiciens du Prince-Monaco

The Opéra de Monte-Carlo and Les Musiciens du Prince-Monaco are set to appear at the Vienna State Opera as part of the Festival Rossini Mania. Particularly notable about this performance series will be the Vienna State Opera debut of opera star Cecilia Bartoli. “When Bogdan Roščić asked me if I would be interested in accepting a kind of carte blanche {…}

May 9, 2022

Teatro La Fenice 2021-22 Review: La Griselda

(Photo: Michele Crosera) Given that Venice is the city of Vivaldi’s birth and the scene of most of his musical successes, it is fitting that La Fenice has been one of the leading companies in the movement toward rehabilitating staged performances of his operas. This season’s production of the composer’s 1735 work “La Griselda” will mark the fifth consecutive year {…}

Jul 8, 2021

Teatro La Fenice 2020-21 Review: Farnace

(Credit: Michele Crosera) The director for Teatro La Fenice’s production of Vivaldi’s “Farnace,” Christophe Gayral observed in his program notes that “the music for some of the arias is strangely sometimes not completely related to the narrative, the music is light while the situation is dark.” While this is undoubtedly true, it does not act against the work as a {…}

Rosa Bove