(Credit: ©2025 Marc Brenner) This David McVicar production of “Faust” is its sixth incarnation. It is a cornucopia of demonic dabbling and delightful witticism combined with some rather dark, if not thoroughly perturbing, moments; balanced with some stellar acting and some pretty glorious singing! Under revival director Peter Relton we are presented here with a gamut of prancing devils, cabaret girls {…}
(Photo: Tosca © ROH 2024) One of the more frequent criticisms aimed at opera singers, by those not acquainted in any way with the art form, pertains to what it is, exactly, they do other than sing. In OperaWire’s interview with the Cavaradossi of this production, Russell Thomas, the tenor said of many critics: “it’s a career that everybody who {…}
Richard Wagner fell in love with the story of Lohengrin. How could he not? A handsome knight, with a golden disposition of purity, nobility and generosity. The son of Parsifal. The leader of the Grail. Destined to rescue, save and uplift all who needed rescuing and salvation. With soaring and beauteous romantic melodies, rich choral support, dazzling duets between glorious {…}
(Photo: Clive Barda) David Alden’s 2018 production of “Lohengrin,” Wagner’s hokey fable of love, fidelity, and politics, is receiving its first revival from Peter Relton at the Royal Opera House. Alden’s setting is generic postwar Europe, all bombed out windows and bare brick, with buildings at precariously jaunty angles (sets by Paul Steinberg). In the ruins of this world Konig {…}