(Photo: Birgit Gufler) Following on from the previous evening’s heavy and unremittingly dark production of Mattheson’s “Boris Goudenow,” the Innsbruck Early Music Festival continued with a fresh, vibrant, and colorful performance of Telemann’s one-act serenata “Pastorelle en Musique,” written between 1713 – 1716, based on Mollière’s “Les Amants magnifiques.” As with “Boris Goudenow” the work was lost and has only {…}