(Photo: Brescia e Amisano) It is rather curious that one of the most emblematic titles in the operatic canon has been staged so rarely on such an iconic stage as Teatro alla Scala: “Norma” by Vincenzo Bellini, which had its world premiere there in 1831 with Giuditta Pasta in the title role. That said, the few times it has returned {…}
(Ph. Brescia – Amisano © Teatro alla Scala) In a suitcase–acquired expressly to transport it due to its weight and size–travels, rehearsal after rehearsal and performance after performance, the score of “Il nome della rosa,” weighing an impressive 15 kilograms. Yet the heft of this voluminous tome is not merely physical but also semiotic: it is the fruit of the {…}
This week, the Maggio Musicale is set to open its 2019’20 season with an intriguing double bill. The two operas set to be presented will include Leoncavallo’s “Pagliacci” and the world premiere of Riccardo Panfili’s ‘”Noi, due, quattro…” with two very respected artists. But it is Panfili’s opera which will showcase two rising stars in the opera world. Paolo Antognetti {…}