(Photo: Eva Werner) In 1753, Niccolò Jommelli moved to Stuttgart under Duke Karl Eugen. Collaborating with court poet Mattia Verazi, Jommelli modified Pietro Metastasio’s famous libretto to pioneer bold dramatic reforms. Utilizing the city’s elite singers and virtuosic orchestra, this creative hub culminated in the February 1763 Stuttgart premiere of Jommelli’s third version of “Didone abbandonata.” It is clear that {…}