Close
  • News
  • IndieOpera
  • Reviews
    • Stage Reviews
    • DVD and CD Reviews
  • Interviews
  • Special Features
    • Opera Meets Film
    • On This Day
  • Opera Wiki
  • Opera Quiz
  • Like OperaWire on Facebook
  • Follow OperaWire on Twitter
  • Follow OperaWire on Instagram
  • Advertise
  • About OperaWire
    • Join the Team
    • Our Authors
  • Support OperaWire
  • Contact Us
Menu
OperaWire
  • Like OperaWire on Facebook
  • Follow OperaWire on Twitter
  • Follow OperaWire on Instagram
  • News
  • IndieOpera
  • Reviews
  • Interviews
  • Special Features
  • Opera Wiki

Joana Carniero

Apr 24, 2022

English National Opera 2021-22 Review: The Handmaid’s Tale

(Photo: Catherine Ashmore) Such has been the success of Margret Atwood’s novel “The Handmaid’s Tale” that, since its publication in 1985, it now finds itself positioned alongside other major 20th century dystopian novels, drawing comparisons with Orwell’s “1984” and Huxley’s “Brave New World.” Like them, it has entered the cultural mainstream, spawning plays, films, a ballet, a major television series, {…}

Newsletter

Stay up to date with the latest Opera news, events and releases!

  Thank you for Signing Up
Please check if you entered the email address correctly.
1,true,6,Contact Email,2
OperaWire Newsletter

Links

  • Home
  • About OperaWire
  • Editorial Policy
  • Advertise
  • Join the Team
  • Privacy Policy

Social

  • Facebook
  • Twitter
  • Instagram

Contact

  • General Enquiries
    [email protected]

  • Articles & Press
    [email protected]

Opera is thriving. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis.

© Copyright 2023 OperaWire
Site by Lenny's Studio