（Photo Credit: Hanno Meier) Inside the austere, echoing stone of Regensburg’s 12th-century Romanesque Schottenkirche, Barbara Strozzi’s music found a space as resonant and complex as the woman herself. The Hathor Consort, directed by Romina Lischka, and sopranos Dorothee Mields and Hana Blažíková transformed the church’s cool stillness into a charged atmosphere of intimacy and theatrical depth. They allowed her music {…}