(Photo credit: Lennart Sjöberg) Göteborg Opera is celebrating its 30th season with an exciting lineup of favorites, beginning with Sir David McVicar’s production of Bizet’s “Carmen,” with libretto by Henri Meilhac and Ludovic Halévy, based on a novella by Proper Mérimée. This production was originally presented at Glyndebourne in 2002, and like most McVicar productions, it gets to the point {…}
(Photo credit: Tilo Stengel) Göteborg Opera won the award for Sustainability at the International Opera Awards 2022 Gala at Teatro Real in Madrid. Artistic Director for Opera/Drama, Henning Ruhe, makes his role a leading example by honoring ecological sustainability and collaborates with other opera house to make a positive difference along the way. This company celebrates its 30th year anniversary {…}
Sweden’s Göteborg Opera has announced its 2024-25 season. Opera Katarina Giotas headlines Bizet’s “Carmen” with Joachim Bäckström, Adam Frandsen, Luthando Qave, and Matilda Sterby. Aivis Greters and Martyna Szymcza alternate at the pit. Performance Dates: August 24-Oct. 12, 2024 Michael Weinius and Tomas Lind lead Verdi’s “Otello” with Jens Søndergaard, Adam Frandsen, Julia Sporsén, Carolina Sandgren, and Ann-Kristin Jones. Vincenzo Milletarì conducts the production by Rafael {…}
Göteborg Opera is set to present Rameau’s “Platée” in a new production by Andreas Kriegenburg. The new take on the Rameau work will open on March 16 and runs through April 18, 2024. It stars Kristian Lindroos, Wiktor Sundqvist, Carolina Sandgren, Hannes Öberg, Mia Karlsson, Anders J Dahlin, Mattias Ermedahl, Sofie Asplund, and Ann-Kristin Jones. Kriegenburg’s production will feature set {…}
Sweden’s Göteborg Opera has announced its 2022-23 season. The season opens with “The Bartered Bride” starring Mattias Ermedahl, Carolina Sandgren, Matilda Sterby, Anders Lorentzoson, and Katarina Giotas. Alevtina Ioffe and Jirí Rozen alternate conducting duties while Mellika Melouani Melani directs. Performance Date: Sept 17 – Oct. 25, 2022 Next up is “Rigoletto” starring Davide Giusti, Ólafur Sigurdarson, Ida Fak, Mats {…}
Göteborg Opera is set to stream a production of Wagner’s “Siegfried” between March 26—31, 2021. The production, which is directed by Stephen Landgridge and conducted by Evan Rogister, will star Daniel Brenna in the title role alongside Dan Karlström as Mime, Anders Lorentzson (Act one and two) and Fredrik Zetterström (Act three) as The Wanderer, Ólafur Sigurdarson as Alberich, Mats {…}
(Credits: Badisches Staatstheater Karlsruhe official website / Malin Arnesson) The Göteborg Opera will premiere Wagner’s opera “Siegfried,” the third installment of Gothenburg’s four-year Ring cycle project. Wagner’s famed masterwork will star Dan Karlström as Mime, Olafur Sigurdarson in the role of Alberich, Mats Almgren as Fafner, Hege Høisæter in the role of Erda, Sofie Asplund as the Woodbird, Ingela Brimberg {…}
The Göteborg Opera has announced its 2020-21 season, which features one world premiere and a number of new productions. Here is a look:Puccini’s “La Bohème” opens the 2020-21 season featuring a cast that includes Ida Falk Winland, Jung Soo Yun, Luthando Qave, and Sofie Asplund. Henrik Schaefer conducts the production. Performance Dates: August 30-Sept. 20, 2020 Offenbach’s “Champagne Tears” gets a {…}
Pontus Wiegert and his colleagues at Lund University will lead a research project on aging voices, initiated by The Swedish Union of Professional Musicians (Symf) and Göteborg Opera in collaboration with Malmö Opera and the Royal Swedish Opera. It is well-known that the degree of voice deterioration among aging persons can vary significantly, but no research has been conducted to conclusively {…}
There was a plethora of drama during the performance of “Cavalleria Rusticana” and “I Pagliacci” at Gothenburg Opera on Saturday, Feb. 9, 2019. During the opening performance of Damiano Michieletto’s new production, Italian conductor Pier Giorgio Morandi had to stop the performance of “Cavalleria Rusticana” not once, but twice because of separate incidents with indisposed persons in the audience. Approximately {…}