(Credit: Bernd Uhlig / OnP) The production of “Ercole amante” at the Paris Opera represents both an artistic and a musicological event. The opera was composed in 1707 by Antonia Bembo, never performed during her lifetime and long presumed lost until it resurfaced in 1937 at the Bibliothèque nationale de France. Its rediscovery eventually led to a concert performance in {…}