(Credit: Yasuko Kageyama) Damiano Michieletto is one of the most sought after directors today. Born in Venice, he graduated in modern literature at the Venice University and then went on to study theatre and opera production at the Paolo Grassi School of Dramatic Art in Milan. Success would follow him soon after when he debuted in 2003 at the Wexford {…}
(Credit: Javier del Real) He came, he saw, and he conquered. All in one day. Mexican tenor Javier Camarena was only involved with the Teatro Real de Madrid’s “L’Elisir d’Amore” on Nov. 9. It is a role that he had not taken on in seven years, but there was no doubt from the moment he opened his mouth, that this {…}
“Don Pasquale” is often considered Donizetti’s comic masterpiece, and if it is not perform as regularly as Donizetti’s “ L’Elisir d’Amore” one need not look further than the demanding part written for the tenor; but when you have Javier Camarena in the cast, you have no reason to worry about anything. But this production was not only about the great {…}
This Wednesday, Nov. 29, 2017, the Royal Opera House Covent Garden opens its production of the famed Italian double bill often known as “CavPag.” “Cavalleria Rusticana” and “Pagliacci” will get 11 performances this season with the final one slated for Jan. 13, 2018, almost a month-and-a-half after it opens its run. Here are reasons to see this year’s “CavPag” at {…}
Opera is a singer’s medium, but the last few decades have seen a shift toward giving the director the power onstage, especially in Europe. The Metropolitan Opera has slowly but surely reshaped its theatrical approach to its new productions, bringing in renowned stage directors from around the world. Some have been David Alden, Anthony Minghella, Richard Eyre, Mary Zimmerman, David McVicar {…}