(Photo credit: Matthew Washburn) The Schwabacher Recital Series presented by Merola Opera Program and San Francisco Opera Center returns with a series of three recitals. The series opens on April 1 with three of the 2024 Merola alumni and second-year San Francisco Opera Adler Fellows, soprano Mary Hoskins, baritone Olivier Zerouali, and pianist Ji Youn Lee. The evening’s program, curated {…}
Paris Opera Play has announced streaming performances for September to November. For this article, here are the operatic productions that will be streamed. The first stream will be Bellini’s “I Capuleti e I Montecchi” from a September 2022 performance conducted by Speranza Scapucci. Robert Caresen productions stars Julie Fuchs and Anna Goryachova. The company will also stream Donizetti’s “La Fille du {…}
The 40th anniversary of the Schwabacher Recital Series, presented by the Merola Opera Program and San Francisco Opera Center, is set to a close with an intimate concert featuring mezzo-soprano Samantha Hankey and pianist Carrie-Ann Matheson. The recital, which is set to be held on April 3 at the Dianne and Tad Taube Atrium Theater will feature a program of {…}
Photo Credit: Kristen Loken Merola Opera Program presents Benjamin Britten’s “The Rape of Lucretia” on July 13th and 15th at the Herbst Theatre in San Francisco, with director Jan Essinger, conductor Judith Yan, and a creative team including intimacy coordinator Maya Herbsman. Merola will also host a special conversational forum, post-performance on Saturday, July 15th with the creative team and {…}
The San Francisco Opera Center and Merola Opera Program continues Schwabacher recitals for season 39 on April 12 at San Francisco’s Dianne and Tad Taube Atrium Theater in the Veterans Building. Schwabacher’s series will feature a remarkable group of performers, including countertenor Aryeh Nussbaum Cohen, mezzo-soprano Erin Wagner, and pianists Carrie-Ann Matheson and Shawn Chang. “We will present a {…}
In August, the Merola Opera Program named Carrie-Ann Matheson the new Artistic Director succeeding Sheri Greenawald. Her new position will provide artistic and musical leadership for all Opera Center artists and projects, including acting as the primary musical coach for its young artists, overseeing their development, collaborating on recitals, and conducting performances. Matheson began her career at the Metropolitan Opera, {…}
(Credit: Chris Singer) Only seven days before the COVID-19 pandemic fell on our heads, American mezzo-soprano Joyce DiDonato was in New York portraying the role of Agrippina at the Metropolitan Opera House. Taking on the role of the cunning queen, DiDonato already had been in the eye of the storm. At that moment very few people really understood well what {…}
New York City’s premier cultural and community organization, 92Y, will present “Unsung Heroes of the Opera: Vocal Coaches,” an online and in-person class featuring three heavy-hitters of the opera and classical music world. The vocal coaches includes Pianist and Associate Conductor at the Metropolitan Opera Howard Watkins, Grammy® Award-nominated pianist Myra Huang, and newly appointed Artistic Director of the San {…}