‘mɔɹnɪŋ [morning//mourning]’ to be Performed at Roulette

Gelsey Bell’s “mɔɹnɪŋ [morning//mourning]” will be performed as part of Roulette’s Winter 2026 season. Following its extended and sold-out run during Prototype in 2023, a US tour, and a stint in Green-Wood Cemetery’s catacombs, this experimental opera will be presented in concert at Roulette. Bell’s “mɔɹnɪŋ [morning//mourning]” is set just after humanity has disappeared from the Earth, and traces the {…}

Death of Classical & Green-Wood Cemetery’s The Angel’s Share 2024 Review: Gelsey Bell’s ‘mɔɹnɪŋ [morning//mourning]’

(Photo credit: Steve Pisano) Gelsey Bell’s opera “mɔɹnɪŋ [morning//mourning]” originally made its music theatre world premiere in January 2023 as a co-production of Beth Morrison Project’s PROTOTYPE Festival and HERE. This year, as a production of the “Angel’s Share,” a concert series that takes place at the Green-Wood Cemetery in Brooklyn curated by Andrew Ousley of Death of Classical, Bell {…}

Roulette Intermedium 2024 Review: Robert Ashley’s ‘Foreign Experiences’

(Photo: Whitney Browne) Brooklyn’s Roulette Intermedium presented Robert Ashley’s “Foreign Experiences” (1994) on Saturday, May 11th, 2024 to an audience full of familiar faces in appreciation of avant-garde and experimental music. This work is part of Ashley’s opera tetralogy, “Now Eleanor’s Idea,” which also includes “Improvement (Don Leaves Linda),” “eL/Aficionado” and the stand-alone opera, “Now Eleanor’s Idea.” I have been {…}