(Photo credit: Photos: Clemens Manser/Falk von Traubenber) As an opera composer Nicola Antonio Porpora gained advantage over his rivals by tailoring his works to the singers’ voices, and he gained popularity among singers because he was a well-known voice teacher. Even today, when experiencing Porpora’s opera “Ifigenia in Aulide” at Bayreuth’s Baroque Opera Festival, one cannot ignore the skill with {…}
(Photo credit: Ignacio Barrios) Bayreuth Baroque Festival has been awarded “The Best Festival of 2024” by Germany’s Oper! Awards. The first season began in 2020 with a staged production of Nicola Antonio Porpora’s “Carlo il Calvo”, and an opera in concert version of “Gismondo, Re di Polonia” by Leonardo Vinci and libretto by Francesco Briani’s Il Vincitor Generoso. The orchestras {…}
Bayreuth Baroque Opera Festival has announced its 2024 slate. First up is Porpora’s “Ifigenia in Aulide.” The new production by Max Emanuel Cencic will be conducted by Christophe Rousset and stars Jasmin Delfs, Lena Belkina, Max Emanuel Cencic, Dennis Orellana, Vince Yi, and Daniel Giuliani. Performance Dates: Sept. 5 – 15, 2024 Jakub Jósef Orlinski appears in performance with Il Pomo {…}
(Photo: Falk von Traubenburg) Max Cenčić has a long-established reputation as a sensitive and technically brilliant virtuoso countertenor. However, over the past six or seven years, he has also become increasingly known for his skills as a stage director owing to a string of stunning productions, such as Hasse’s “Siroe,” which he toured in 2017. In 2020, he was appointed {…}
(Photo: Falk von Traubenberg) Very occasionally we are fortunate enough to experience an opera production that leaves an indelible imprint on our memories; a never-forgotten experience in which adjectives such as ‘brilliant,’ ‘breath-taking’ or ‘stunning’ come to mind and can be used without any sense of exaggeration. Such was the case with Bayreuth Baroque Festival’s performance of Nicolà Porpora’s opera {…}
(Photo: Ralf Münch) The recently restored Stadtkirche was chosen as the venue for the festival’s performance of Handel’s 1647 oratorio “Judas Maccabaeus.” Situated in the historical center, it is the city’s largest church, built in the late gothic style between 1611 and 1614. It is dominated by its two imposing domed towers which are connected by a bridge. It is {…}