Teatro La Fenice 2024-25 Review: Il trionfo dell’onore

(Photo: Michele Crosera) Although the Sicilian composer Alessandro Scarlatti (1660–1725) is famed for his prolific output of operas–he claimed to have written well over 100–which were significant in laying the foundations for the development of 18th century opera seria, he rarely strayed into the field of comic opera. The single major exception was his 1718 work, “Il trionfo dell’onore,” written {…}

Jul 18, 2022

CD Review: Marco Angioloni’s ‘A Baroque Tenor’

(Photo: Benoit Auguste) Over the course of the 17th century, the role of the tenor was displaced by the rise of the castrato. Whilst in opera’s early years tenors were given prominent roles, such as the title role in Monteverdi’s “L’Orfeo,” by the middle of the century they were relegated to comic or travesti roles. During the early 18th century, {…}