(Photo: Birgit Gufler) At the final curtain call of the Innsbruck Early Music Festival’s splendid production of Vivaldi’s only surviving oratorio, “Judtha Triumphans,” the loudest acclamation was reserved for its conductor, Alessandro De Marchi. After 13 years as its artistic director, he is stepping down from the position. The genuine warmth the festival audience showed towards De Marchi was clearly {…}
(Photo: Birgit Gufler) After 13 years in the post, Alessandro De Marchi brings his tenure as the artistic director of the Innsbruck Festival of Early Music to a close with a program dominated by the Venetian composer Antonio Vivaldi. Not only do many of the festival’s events feature his music, including the festival’s closing concert “Lieto Fine,” but all three {…}
The Innsbruck Festival of Early Music has announced the program for its 47th season. Running from July 11 to August 29 and featuring 48 events across 14 venues, this season will mark the last under Artistic Director Alessandro de Marchi after 14 years with the festival. Among the highlights are three works by Antonio Vivaldi: Stefano Vizioli directs “Olimpiade,” with a {…}
(Photo: Birgit Gufler) Bernardo Pasquini (1637 – 1710) is not a particularly well-known name in opera circles, yet in his day he was considered the foremost composer of dramatic works for the stage in Rome, with his high point coming in the 1670s and 80s, after which he was slowly displaced by, amongst others, Alessandro Scarlatti. As well as 15 {…}
(Photo: Brigitte Duftner) Italian composer Ferdinando Paër (1771 – 1839) is significant in the history of opera for his work during the first decade of the 19th century in developing opera semi-seria by integrating attributes of serious and comic opera. And although no longer well-known, his operas do receive the occasional performance. This year, however, there were a couple of {…}
Each summer, Innsbruck hosts its Festival for Early Music. Established in 1976, it specializes in presenting historically informed performances of early music, including operas, many of which have not been heard for hundreds of years. Currently it is under the artistic direction of the early music specialist, Alessandro De Marchi, who has been in the post since 2010. Over the {…}
