5 Key Points to Enjoy the “Prima della Scala”

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(Credit: Brescia – Amisano © Teatro alla Scala) The “Prima della Scala” is more than just an opera performance; it’s a quintessential Italian event that intertwines art, history, and tradition, captivating global audiences every December 7th. This year, Teatro alla Scala inaugurates its 2024/2025 season with Verdi’s “La Forza del Destino.” Here are five essential insights to help you fully {…}

Reviews, Stage Reviews

San Francisco Opera 2024-25 Review: Un Ballo in Maschera

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(Photo by Cory Weaver) Festivities galore flooded the San Francisco’s Civic Center Friday night – Opera Ball, Opera Dinner, and the opera itself, Verdi’s, “Un Ballo in Maschera.” Opening night at San Francisco Opera sparkled with taffeta gowns and tux, platform heels and feathers, jewelry glittering up and down arms and nifty bowties. In honor of the entitled opera and {…}

Reviews, Stage Reviews

Teatro alla Scala 2022-23 Review: Li Zite Ngalera

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(Photo: Brescia & Amisano) One of the more eye-catching works of Teatro La Scala’s current season is Leonardo Vinci’s “Li Zite Ngalera,” which has just finished a run of five performances. Vinci was born between 1690 and 1696 in Italy’s Calabria region but was dead by 1730, possibly poisoned by a jealous husband. Yet during his short life, he was {…}

News

Donizetti Opera Festival & Teatro Alla Scala Among Winners of Premio della Critica Musicale ‘Franco Abbiati’

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(Credit: Gianfranco Rota) The Winners of the Premio della Critica Musicale “Franco Abbiati” have been announced. The award for best presentation of 2019 went to Mario Martone’s production of “Khovanshchina” at the Teatro alla Scala. The production was conducted by Valery Gergiev. The Special prize went to the Donizetti Opera Festival’s production of “L’Ange de Nisida” directed by Francesco Micheli. {…}

Reviews, Stage Reviews

Opera Lombardia 2018-19 Review: Rinaldo

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Brescia shares its opera season with a number of other cities in Italy’s Lombardia region, courtesy of the touring company, Opera Lombardia, and if the quality of its recent production of Handel’s “Rinaldo” is representative, then it certainly does not suffer from the arrangement. Boasting a quality young cast, including the highly respected French contralto, Delphine Galou, and two singers {…}

Reviews, Stage Reviews

Teatro Filharmonico 2017-18 Review – Otello: Sentimental Production & Decent Cast Create Enjoyable Evening

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At the end of the final act, Otello has just killed Desdemona and he stands at the front of the stage, facing the audience. From the back of the stage Desdemona reappears and approaches Otello. Standing beside him, she simulates the taking of a knife from its sheath, raises it and plunges it into her belly, and Otello, taking a {…}

Reviews, Stage Reviews

Teatro dell’Opera di Roma 2017-18 Review – I Masnadieri: Roberta Mantegna, Artur Rucinski Dominate in Brilliant But Bleak Production By Massimo Popolizio

https://operawire.com/teatro-dellopera-di-roma-2017-18-review-i-masnadieri-roberta-mantegna-artur-rucinski-dominate-in-brilliant-but-bleak-production-by-massimo-popolizio/

It is always interesting to come across a performance of one of Verdi’s lesser known works, although you cannot always be certain of what you will get. Normally, these works are rarely performed for a reason – namely because they are not particularly strong. “Un Giorno di Regno” immediately springs to mind. But sometimes there seems to be no apparent {…}

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5 Key Points to Enjoy the “Prima della Scala”

San Francisco Opera 2024-25 Review: Un Ballo in Maschera

Teatro alla Scala 2022-23 Review: Li Zite Ngalera

Donizetti Opera Festival & Teatro Alla Scala Among Winners of Premio della Critica Musicale ‘Franco Abbiati’

Opera Lombardia 2018-19 Review: Rinaldo

Teatro Filharmonico 2017-18 Review – Otello: Sentimental Production & Decent Cast Create Enjoyable Evening

Teatro dell’Opera di Roma 2017-18 Review – I Masnadieri: Roberta Mantegna, Artur Rucinski Dominate in Brilliant But Bleak Production By Massimo Popolizio