802 search results for…

Interviews, Stage Spotlight

The King Of Nine Debuts – Rene Barbera On His Season Of Debuts & Bel Canto

https://operawire.com/the-king-of-nine-debuts-rene-barbera-on-his-season-of-debuts-bel-canto/

Nine house debuts in one season. That’s a pretty daunting task for any artist, especially when considering the pressures that come with each individual one of those contrasting environments. But imagine making those house debuts while making role debuts. It’s one thing to try out a new opera in a familiar place, but to do it where you have no {…}

Behind the Scenes, Interviews

Q & A: Composer, Writer Marisa Michelson on Exploring Female Perspective in ‘Naamah’s Ark’ & ‘Desire | Divinity Project’

https://operawire.com/q-a-composer-writer-marisa-michelson-on-exploring-female-perspective-in-naamahs-ark-desire-divinity-project/

There’s a big conversation going on in the world of opera (and at large) about the need for women to come to the forefront of the creative process. Not only managing opera houses or in a leading role, but also in creating new and refreshing works that tell new and inciting stories. More people like Marisa Michelson, who aside from {…}

Reviews, Stage Reviews

Palau de la Música Catalana 2017-18 Review: Mark Padmore, Julius Drake and the Cor de Cambra del Palau Shine With Schubert & Britten

https://operawire.com/palau-de-la-musica-catalana-2017-18-review-mark-padmore-julius-drake-and-the-cor-de-cambra-del-palau-shine-with-schubert-britten/

In most cities, different musical organizations persist in such aggressive rivalry it makes the Montagues and Capulets look like kissing cousins. Not so in Barcelona where the three major performing venues, namely the Gran Teatre del Liceu, the Palau de a Música Catalana and the L’Auditori have come together under a coordinating entity called Barcelona Obertura to make music in the {…}

Interviews, Stage Spotlight

Q&A: Massimo Cavalletti On His Enrico In ‘Lucia Di Lammermoor’ & Bel Canto Singing

https://operawire.com/qa-massimo-cavalletti-on-his-enrico-in-lucia-di-lammermoor-bel-canto-singing/

Massimo Cavalletti is one of the most accomplished baritones of his generation, singing in every major opera house in the world including the Teatro alla Scala, Salzburg Festival, Bayerische Staatsoper, and Opéra de Paris, among others. For years, he has performed many of the great lyric baritone roles to strong success and has recently begun to add heavier roles to {…}

News

UPDATE: Thomas Hampson Cancels Oviedo Concert

https://operawire.com/thomas-hampson-cancels-oviedo-concert/

UPDATE: Hampson posted a message on his Facebook account to clarify his health situation.  “I regrettably announce that I had to withdraw from last Saturday’s performance in Oviedo. Unfortunately, I had an extremely aggravating flu last week following a truly enjoyable Operetta tour with Piotr and Annette, and needed time to recover. I’ve been looking forward to my debut as Don {…}

News

Conductor James Levine Being Investigated For Sexual Misconduct

https://operawire.com/conductor-james-levine-being-investigated-for-sexual-assault/

A police report obtained by the New York Post reveals that famed Metropolitan Opera conductor James Levine is alleged to have molested an Illinois teenager over the course of several years, nearly leading the victim to the point of suicide. In a written statement to the Lake Forest, Illinois Police Department, the victim says “I began seeing a 41-year-old man {…}

Interviews, Stage Spotlight

Q & A: Soprano Joelle Harvey on Mozart, Motherhood, and ‘The Marriage of Figaro’

https://operawire.com/q-a-soprano-joelle-harvey-on-mozart-motherhood-and-the-marriage-of-figaro/

From November 4th – 12, Pittsburgh Opera will be performing Mozart’s comedic opera “The Marriage of Figaro.” This production will feature not only many of Pittsburgh Opera’s veteran performers, but a number of singers making their debuts with the company, such as bass-baritone Tyler Simpson in the role of Figaro, and soprano Joelle Harvey in the role of Susanna. OperaWire {…}

Interviews, Stage Spotlight

Q & A: Countertenor Anthony Roth Costanzo on Pergolesi’s ‘Stabat Mater,’ Handel & Philip Glass

https://operawire.com/q-a-countertenor-anthony-roth-costanzo-on-pergolesis-stabat-mater-handel-philip-glass/

Most countertenors make their careers out of singing traditional baroque repertoire. The voice type, so popular during the art form’s formative years, was extremely popular in its day with the major composers assigning leading roles to the countertenor. But that is no longer the case today, the countertenor is seen more as a novelty than a bonafide fixture in the {…}