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Bejun Mehta, Sophie Rennert, Francesca Ascioti & Giuseppina Bridelli Headline Innsbruck Festival of Early Music’s 2022 Season

https://operawire.com/bejun-mehta-sophie-rennert-francesca-ascioti-giuseppina-bridelli-headline-innsbruck-festival-of-early-musics-2022-season/

(Credit: Innsbruck Festival of Early Music official website) The Innsbruck Festival of Early Music has announced its 2022 season, featuring three operas and a number of concerts. For the purpose of this article we will focus on the vocal works. Here is a full slate. Operas  Carl Heinrich Graun’s opera “Silla” spotlights Bejun Mehta, Eleonora Bellocci, Valer Sabadus, Roberta Invernizzi, {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2021 Review: Boris Goudenow

https://operawire.com/innsbruck-early-music-festival-2021-review-boris-goudenow/

(Photo: Birgit Gufler) In 1874 Mussorgsky’s ‘Boris Godunov’ received its premiere at St. Petersburg’s Mariinsky Theatre. Yet, he was not the first to write an opera of that name, 164 years earlier in 1710 Johann Mattheson completed his version of “Boris Goudenow,” but for reasons which are now unclear it was not performed during the composer’s lifetime, and ended up {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2021 Review: Idalma

https://operawire.com/innsbruck-early-music-festival-2021-review-idalma/

(Photo: Birgit Gufler) Bernardo Pasquini (1637 – 1710) is not a particularly well-known name in opera circles, yet in his day he was considered the foremost composer of dramatic works for the stage in Rome, with his high point coming in the 1670s and 80s, after which he was slowly displaced by, amongst others, Alessandro Scarlatti. As well as 15 {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2020 Review: L’Empio Punito

https://operawire.com/innsbruck-early-music-festival-2020-review-lempio-punito/

(Photo: Birgit Gufler) Each year Innsbruck’s Festival of Early Music presents Oper:Jung, a work performed by younger singers, which gives them the chance to essay substantial roles in front of the festival audience. This year the choice of opera was Alessandro Melani’s “L’Empio Punito,” to a libretto by Acciaiuoli and Appoloni. Premiered in Rome in 1669, it has the distinction {…}
Interviews, Stage Spotlight

Q & A: Sara-Maria Saalmann on Her Love of Singing & Managing a Successful Career in the Competitive World Of Opera

https://operawire.com/q-a-sara-maria-saalmann-on-her-love-of-singing-managing-a-successful-career-in-the-competitive-world-of-opera/

(Photo: Frank Wartenberg) Last December OperaWire reviewed an impressive production of Vivaldi’s “La Fida Ninfa” at the repertory theatre in Regensburg. In the central role of Morastro was the young German-Spanish soprano Sara-Maria Saalmann, whose performance was dramatically intense, but beautifully sung. Working for a repertory company often means a heavy and varied schedule, yet Saalmann is still keen to {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2019 Review: La Dori

https://operawire.com/innsbruck-early-music-festival-2019-review-la-dori/

(Photo: Innsbrucker Festwochen/Rupert Larl) To mark the 350th anniversary of the death of the Italian composer, Antonio Cesti, the Innsbruck Early Music Festival decided to mount a production of his opera “La Dori, overo Lo schiavo reggio,” written for Archduke Ferdinand Karl of Further Austria, and premiered at the city’s court theatre in 1657. Cesti had a close relationship with {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2019 Review: Ottone

https://operawire.com/innsbruck-early-music-festival-2019-review-ottone/

(Photo:Rupert Larl) Each year Innsbruck’s Early Music Festival stages a Barockoper:Jung production in the inner courtyard of the theological faculty in the city’s university, devoted to showcasing the talents of younger singers, including selected finalists from the previous year’s Cesti competition. This year’s presentation was Handel’s 1719 opera, “Ottone.” The libretto, by Stefano Benedetto Pallavicino and adapted by Nicola Francesco {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2018 Review: Gli Amore d’Apollo e Dafne

https://operawire.com/innsbruck-early-music-festival-2018-review-gli-amore-dapollo-e-dafne/

One of the highlights of the Innsbruck Early Music Festival is the “Cesti Competion,” for singers specialising in the baroque repertoire. Now in its ninth year, one of the prizes on offer for the contestants who qualify for the final round is the opportunity to sing in an opera at the following year’s festival. It is presented as “Barockoper: Jung,” {…}

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