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Elīna Garanča, Jakub Józef Orliński & Thomas Hampson Highlight Elbphilharmonie & Laeiszhalle Hamburg’s 2020-21 Season

https://operawire.com/elina-garanca-jakub-jozef-orlinski-thomas-hampson-highlight-elbphilharmonie-laeiszhalle-hamburgs-2020-21-season/

(Credit: Dario Acosta/Deutsche Grammophon/Jiyang Chen) The Elbphilharmonie in Hamburg has announce its 2020-21 season. As always we are highlighting the vocal performances of the season. Mikhail Petrenko and Behzod Abduraimov perform works by Rachmaninov and Tchaikovsky. Performance Date: Sept. 16, 2020 Ottavio Dantone conducts Vivaldi’s “Il Tamerlano” with the Accademia Bizantina and Gesangssolisten. Performance Date: Sept. 29, 2020 Beethoven’s “Leonore” {…}
News

Teresa Iervolino, Jakub Józef Orlinski & Delphine Galou Highlight Festival de Beaune 2020

https://operawire.com/teresa-iervolino-jakub-jozef-orlinski-delphine-galou-highlight-festival-de-beaune-2020/

(Image Source: Festival international d’opéra baroque & romantique Beaune Facebook page) The Festival international d’Opéra Baroque & Romantique Beaune has announced its 2020 program, consisting of seven operas and oratorios, and three vocal works. Operas and Oratorios Mozart and Schikaneder opera “Die Zauberflöte” will showcase Julian Prégardien, Mari Eriksmoen, Sarah Traubel, Andreas Wolf, Elena Galitskaya, Jan Martinik, Maxime Melnik, Norma {…}
News

Joyce DiDonato, Max Emanuel Cencic & Franco Fagioli Lead Bayreuth Baroque 2020

https://operawire.com/joyce-didonato-max-emanuel-cencic-franco-fagioli-lead-bayreuth-baroque-2020/

Bayreuth Baroque has announced its 2020 program, which will focus mainly on the works from the period of the late Baroque that have never or hardly been performed. For the purpose of this article we will focus only on vocal works. The new production of Drama Per Musica “Carlo il Calvo” by Nicola Antonio Porpora will feature Julia Lezhneva, Max {…}
DVD and CD Reviews, Reviews

CD Review: Vivaldi’s ‘Arie e Cantate Per Contralto’ & ‘Musica Sacra Per Alto’

https://operawire.com/cd-review-vivaldis-arie-e-cantate-per-contralto-musica-sacra-per-alto/

This point was always going to be reached! The Naïve label’s ambitious and highly commendable mission to record the entire Vivaldi catalogue held by the Italian National Library in Turin at some point was going to come to an end, or, more accurately, a series of endings. With these two recordings “Arie e cantate per contralto,” and “Musica sacra per {…}
News

Christophe Dumaux, Delphine Galou, Franco Fagioli Among Stars of Innsbruck Festival of Early Music 2020

https://operawire.com/christophe-dumaux-delphine-galou-franco-fagioli-among-stars-of-innsbruck-altemusik-festival-2020/

The Innsbruck Festival of Early Music has announced its 2020 season, which features a wide range of early music in concert and opera. For the purposes of this article, we will focus solely on opera and vocal related program. The season opens with Ferdinando Paër’s “Leonora,” which will be directed by Mariame Clément with musical direction by Alessandro de Marchi. {…}
Interviews, Stage Spotlight

Q & A: French Contralto Delphine Galou On Her Love Of Singing Baroque

https://operawire.com/q-a-french-contralto-delphine-galou-on-her-love-of-singing-baroque/

(Photo:  Giulia Papetti) Last summer, the Vivaldi Edition, devoted to recording the entire Foà and Giordano Collection of nearly 450 Vivaldi manuscripts, released two recordings. Both discs, one of sacred music and the other of secular music, are for the contralto voice. The soloist on both discs is Delphine Galou, the French baroque specialist whose distinctive voice has drawn high {…}
Reviews, Stage Reviews

Innsbruck Early Music Festival 2019 Review: La Dori

https://operawire.com/innsbruck-early-music-festival-2019-review-la-dori/

(Photo: Innsbrucker Festwochen/Rupert Larl) To mark the 350th anniversary of the death of the Italian composer, Antonio Cesti, the Innsbruck Early Music Festival decided to mount a production of his opera “La Dori, overo Lo schiavo reggio,” written for Archduke Ferdinand Karl of Further Austria, and premiered at the city’s court theatre in 1657. Cesti had a close relationship with {…}
Reviews, Stage Reviews

Teatro Comunale Luciano Pavarotti 2019 Review: Serse

https://operawire.com/teatro-comunale-luciano-pavarotti-2019-review-serse/

Serse’s short aria, “Ombra mai fu,” in which he passionately addresses a plane tree, may be the most famous aria from Handel’s opera “Serse,” but is it the most significant moment in the work? Certainly, an argument could be made for it being the case, as it establishes from the outset Seres’s strong, but superficial emotional response to the world {…}
Reviews, Stage Reviews

Opera Lombardia 2018-19 Review: Rinaldo

https://operawire.com/opera-lombardia-2018-19-review-rinaldo/

Brescia shares its opera season with a number of other cities in Italy’s Lombardia region, courtesy of the touring company, Opera Lombardia, and if the quality of its recent production of Handel’s “Rinaldo” is representative, then it certainly does not suffer from the arrangement. Boasting a quality young cast, including the highly respected French contralto, Delphine Galou, and two singers {…}

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