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Reviews, Stage Reviews

Buxton International Festival 2026 Review: La Liberazione di Ruggiero

https://operawire.com/buxton-international-festival-2026-review-la-liberazione-di-ruggiero/

(Photo: Genevieve Girling) Francesca Caccini holds a special place in the annals of the history of opera: she was the first woman ever to write a complete opera. It is thought that she may have written five in all, but like many operas of the period, they have all been lost, apart from her work “La Liberazione di Ruggiero dell’isola {…}
Reviews, Stage Reviews

Göttingen International Handel Festival 2026 Review: Deidamia

https://operawire.com/gottingen-international-handel-festival-2026-review-deidamia/

(Photo: Alciro Theodoro da Silva) As the final opera of George Frideric Händel, “Deidamia” (1741) has long occupied a minor space in the composer’s canon. Often viewed as a weary departure from the high-octane heroism of his Royal Academy years—a view infamously codified by Winton Dean’s somewhat dismissive assessment of Händel’s operatic swan song—the work, as the core production of {…}
Reviews, Stage Reviews

Wexford Festival Opera 2025 Review: Deidamia

https://operawire.com/wexford-festival-opera-2025-review-deidamia/

(Photo: Padraig Grant) In 1752, Händel’s final complete composition, his oratorio “Jephtha,” was premiered at London’s Covent Garden Theatre, bringing to an end the composer’s illustrious career. Just over ten years earlier, he had premiered his opera “Deidamia” at London’s Lincoln’s Inn Fields Theatre, in what proved to be another significant landmark; it was to be the last of his {…}
Reviews, Stage Reviews

Buxton International Festival 2025 Review: Opera Shorts

https://operawire.com/buxton-international-festival-2025-review-opera-shorts/

(Photo: Genevieve Girling) Buxton International Festival’s staging of four new one-act operas as one of its headline events, under the title “Opera Shorts,” was certainly a welcome, if a somewhat risky decision; contemporary opera can be difficult to sell, and artistic success is far from assured. However, for those who were willing to give it a chance, few can have {…}
Reviews, Stage Reviews

Wexford Festival Opera 2024 Review: Le Maschere

https://operawire.com/wexford-festival-opera-2024-review-le-maschere/

(Photo: Patricio Cassinoni) The Wexford Festival Opera is well-known for its commitment to exploring neglected and unearthing forgotten works written by both well-known and lesser-known composers. Although it has met with considerable success in this endeavor, inevitably there have been one or two failures along the way; after all, many such operas are not performed for very good reasons! Two {…}
News

Marina Rebeka, Ermonela Jaho, Golda Schultz, Rachel Willis-Sørensen & Ludovic Tézier Headline Radio France’s 2021-22 Season

https://operawire.com/marina-rebeka-ermonela-jaho-golda-schultz-rachel-willis-sorensen-ludovic-tezier-headline-radio-frances-2021-22-season/

Radio France has announced its 2021-22 season. For the purpose of this article we will focus only on the vocal works. Here is a look. Operas Ravel’s “L’Enfant et les sortilèges” spotlights  Jodie Devos, Clara Guillon, Adèle Charvet, Marie Lenormand, Élodie Méchain, Antoine Normand, Régis Mengus, and Paul Gay. Mikko Franck conducts. Performance date: Oct. 1, 2021, Philharmonie de Paris {…}
News

Lisette Oropesa, Anne Sophie Duprels, Shakespeare Headline Wexford Festival Opera 2020

https://operawire.com/lisette-oropesa-anne-sophie-duprels-shakespeare-headline-wexford-festival-opera-2020/

(Credit: Jason Homa) The Wexford Festival has unveiled its 69th Festival, which includes a program inspired by the work of William Shakespeare. It all kicks off with “Ein Wintermärchen,” a work by Karl Goldmark. The performance, which will take place that O’Reilly Theatre, stars Sergy Radchenko, Sophie Gordeladze, Deanna Breiwick, Simon Thorpe, Julian Hubbard, Rory Musgrave, Lancelot Nomura, and Zlata {…}
Reviews, Stage Reviews

Palau de la Música Catalana 2017-18 Review: Mark Padmore, Julius Drake and the Cor de Cambra del Palau Shine With Schubert & Britten

https://operawire.com/palau-de-la-musica-catalana-2017-18-review-mark-padmore-julius-drake-and-the-cor-de-cambra-del-palau-shine-with-schubert-britten/

In most cities, different musical organizations persist in such aggressive rivalry it makes the Montagues and Capulets look like kissing cousins. Not so in Barcelona where the three major performing venues, namely the Gran Teatre del Liceu, the Palau de a Música Catalana and the L’Auditori have come together under a coordinating entity called Barcelona Obertura to make music in the {…}

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