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Artist of the Week, News

Artist Of The Week: Levente Molnar

https://operawire.com/artist-of-the-week-levente-molnar/

This week the Hungarian State Opera is set start its tour in New York with a number of Hungarian works. The works include “Bluebeard’s Castle,” “The Queen of Sheba,” and the U.S premiere of “Mario and the Magician.” It will also include the U.S. premiere of what Hungarians consider the national operatic masterpiece “Bánk Bán.” And for the U.S. Premiere, {…}

News

Leonardo Capalbo To Replace Benjamin Bernheim At Bremen Musikfest

https://operawire.com/leonardo-capalbo-to-replace-benjamin-bernheim-at-bremen-musikfest/

Leonardo Capalbo will make a previously unscheduled debut at the Bremen Musikfest as the title character in “Les Contes d’Hoffmann.” The festival announced that Benjamin Bernheim was forced to cancel the production due to scheduling conflicts with the Zurich Opera. As a result, Capalbo will make his debut at the festival on Sept. 1, 2018, alongside Maestro Marc Minkowski and Les Musiciens du Louvre. The {…}

Reviews, Stage Reviews

Komische Oper Berlin 2017-18 Review – Eugene Onegin: Barrie Kosky’s Rendition of Tchaikovsky Masterwork Destined to Be Remembered Forever

https://operawire.com/komische-oper-berlin-2017-18-review-eugene-onegin-barrie-koskys-rendition-of-tchaikovsky-masterwork-destined-to-be-remembered-forever/

The Komische Oper in Berlin has soared in reputation under the leadership of Barrie Kosky for its innovative programming.  It is regarded as the destination in town for rarely-performed opera works. Scheduling an opera trip in Berlin is full of challenges and my maiden journey to the Komische was for the altogether familiar “Eugene Onegin” by Tchaikovsky on Saturday night {…}

Reviews, Stage Reviews

Oper Graz 2017-18 Review – ll Viaggio a Reims: Rossini Comedy a Sparkling Triumph Worthy of Maison Krug.

https://operawire.com/oper-graz-2017-18-review-ll-viaggio-a-reims-rossini-comedy-a-sparkling-triumph-worthy-of-maison-krug/

Gioachino Rossini was not just an enormously successful composer and gourmand extraordinaire, but also a highly astute businessman. When he eventually went to the celestial grande bouffe in 1868, he left an estate worth millions of francs. According to Sosthènes de la Rochefoucauld, Rossini composed “Il Viaggio a Reims” as “un homage complètement désintéressé,” which was 19th century French Court-speak for {…}

Interviews, Stage Spotlight

The King Of Nine Debuts – Rene Barbera On His Season Of Debuts & Bel Canto

https://operawire.com/the-king-of-nine-debuts-rene-barbera-on-his-season-of-debuts-bel-canto/

Nine house debuts in one season. That’s a pretty daunting task for any artist, especially when considering the pressures that come with each individual one of those contrasting environments. But imagine making those house debuts while making role debuts. It’s one thing to try out a new opera in a familiar place, but to do it where you have no {…}

News

Jonas Kaufmann & The 5 Stars You Can’t Miss At The Bayerische Staatsoper in 2018-19

https://operawire.com/jonas-kaufmann-the-5-stars-you-cant-miss-at-the-bayerische-staatsoper-in-2018-19/

The Bayerische Staatsoper has announced its 2018-19 season and many of today’s greatest stars will be performing in the house. However, there are few singers that will have banner years with the company and will likely make headlines throughout the year. Here five stars OperaWire believes you cannot miss next season. Jonas Kaufmann For Kaufmann fans who have missed him {…}

Interviews, Stage Spotlight

Working With Kings – Countertenor Iestyn Davies on ‘Farinelli and the King’ & Working With Thomas Adès

https://operawire.com/working-with-kings-countertenor-iestyn-davies-on-farinelli-and-the-king-working-with-thomas-ades/

It all started with a phone call. Countertenor Iestyn Davies was just going about his usual business when Claire van Kampen called him up to make an offer. She had been preparing “Farinelli and the King” when she heard a voice on the radio. A countertenor to be sure. The singer in question? Davies. She knew that she had to {…}