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IndieOpera, Reviews, Stage Reviews

LoftOpera 2016 Review – Macbeth: Ambience & Extraordinary Dramatic Goods Make This a Party Worth Attending

https://operawire.com/loftopera-2016-review-macbeth-ambience-extraordinary-dramatic-goods-make-this-a-party-worth-attending/

This review is for the final performance of the run on Dec. 18, 2017 and was written in collaboration with Francisco Salazar. How do you get younger audiences to engage with that “old” and “outdated” art form known as opera? That is the eternal question for the major opera houses around the world as they look to find a viable {…}

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Weekend Preview (12/16-18) – International: Anna Netrebko Returns to ‘Macbeth’ and Renee Fleming Opens ‘Der Rosenkavalier’

https://operawire.com/weekend-preview-1216-18-international-anna-netrebko-returns-to-macbeth-and-renee-fleming-opens-der-rosenkavalier/

The weekend is upon us and that means many operas will be presented around the world. Many theaters will offer holiday presentations while some of the greatest singers return to the stage such as Renee Fleming, Simon Keenlyside, Rolando Villazon, Anna Netrebko, Rene Pape and Nina Stemme. Austria  Simon Keenlyside returns to the Vienna State Opera for Verdi’s “Macbeth” with the {…}

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Metropolitan Opera 2016-17 – Salome Review Roundup: Critics Marvel At Patricia Racette’s Embodiment of Crazed Heroine

https://operawire.com/317-2/

The second performance of the Metropolitan Opera’s “Salome,” starring Patricia Racette, takes place on Friday, Dec. 9. The first performance featured the Met role debut for Racette, a portrayal that earned her universal acclaim. Eric C. Simpson of the New York Classical Review wrote that “ the veteran soprano had a career night Monday, showing she still has an enormous {…}