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News

Music of Remembrance’s 2024-25 Season to Feature Works by Carlos Simon, Jessie Montgomery, & Rhiannon Giddens

https://operawire.com/music-of-remembrances-2024-25-season-to-feature-works-by-carlos-simon-jessie-montgomery-rhiannon-giddens/

(Photo credits: Bessent, Cheng, & Yildiz) Music of Remembrance has announced its 2024-25 season. This season aims to champion those who use their art to stand up against injustice and inspire action. Concerts will feature works by prominent Black American composers that confront the residual trauma of slavery, a 10th-anniversary production of an opera that addresses the responsibility of artists to {…}

News

Baltimore Chamber Orchestra Names Robert Moody Music Director

https://operawire.com/baltimore-chamber-orchestra-names-robert-moody-music-director/

The Baltimore Chamber Orchestra has announced Robert Moody as its new Music Director starting the 2024-25 season. Moody has been the Music Director for both the Portland Symphony and the Winston-Salem Symphony and earlier in his career, he held conducting positions with the Phoenix Symphony, Evansville Philharmonic, Santa Fe Opera, Brevard Music Center, Interschool Orchestras of New York City, and {…}

Business, News

Conductor Jordan de Souza Signs with Étude Arts

https://operawire.com/conductor-jordan-de-souza-signs-with-etude-arts/

(Credit: Neda Navaee) Étude Arts has announced that conductor Jordan de Souza has joined its artist roster for general management. Last year, the Canadian maestro was appointed to be the General Music Director of the Theater Dortmund and the Chief Conductor of the Dortmund Philharmoniker for five years. “A varied and dynamic schedule with many of the world’s great opera {…}

Behind the Scenes, Interviews

Q & A: James Robinson on His New Production of ‘Galileo Galilei’ & Philip Glass

https://operawire.com/q-a-james-robinson-on-his-new-production-of-galileo-galilei-philip-glass/

Since 2008, James Robinson has served as the Artistic Director of the Opera Theatre of Saint Louis (OTSL). He has emphasized a great deal on bringing modern works to the company and has directed such operas as Terence Blanchard’s “Champion” and “Fire Shut Up in My Bones,” John Adams’ “The Death of Klinghoffer,” Marc Blitzstein’s “Regina,” Jack Perla’s “Shalimar the {…}

Interviews, News

Q & A: Tiara Abraham on the Joy & Hardships of Earning Her Master of Music Degree at 18

https://operawire.com/q-a-tiara-abraham-on-the-joy-hardships-of-earning-her-master-of-music-degree-at-18/

(Photo credit: Tiara Abraham) The 18-year-old soprano Tiara Abraham made history on May 3, 2024 as the youngest person to earn a master’s degree from Indiana University, across all campuses. Abraham’s brilliance does not start there, nor will it stop. At 4-years-old, she became a Mensa, started community college when most people her age were in elementary school, and received {…}

News

Barno Ismatullaeva, Jacquelyn Wagner, Pumeza Matshikiza, Mario Rojas & Daniel Luis de Vicente Lead Staatsoper Hannover’s 2024-25 Season

https://operawire.com/barno-ismatullaeva-jacquelyn-wagner-pumeza-matshikiza-mario-rojas-daniel-luis-de-vicente-lead-staatsoper-hannovers-2024-25-season/

The Staatsoper Hannover has announced its 2024-25 season. Premieres Philip Glass’s “Satyagraha” will be conducted by Masaru Kumakura and directed by Daniel Kramer. The production will star Shanul Sharma, Meredith Wohlgemuth, Ketevan Chuntishvili, Beatriz Miranda, Lluís Calvet i Pey, Markus Suihkonen, Ruzana Grigorian, Darwin Prakash, and Markus Suihkonen. Performance Dates: Sept. 6-Oct. 31, 2024 Leoncavallo’s “Pagliacci” will receive a new {…}

Reviews, Stage Reviews

Swedish Radio Choir 2024 Review: Igor Stravinsky’s ‘The Rake’s Progress’

https://operawire.com/swedish-radio-choir-2024-review-igor-stravinskys-the-rakes-progress/

(Photo Credit: Dagens Nyhter/Mattias Ahlm) On February 4, I had the pleasure of seeing Igor Stravinsky’s, “The Rake’s Progress,” for the first time. Having only read about the opera, I hadn’t come to realize how satirical Stravinsky could really be. Shostakovich and Prokofiev have been my references for the identity of Russian musical satire. Leading the Swedish Chamber Orchestra was {…}