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Interviews, Stage Spotlight

Interview: Countertenor Raffaele Pè on New CD & Upcoming Roles

https://operawire.com/interview-with-raffaele-pe/

Raffaele Pè is a singer very much in demand. Having been carefully building his reputation over the past few years, he now appears to have catapulted himself into the limelight with his latest CD of 18th century arias, written by a variety of composers, for the character of Giulio Cesare. Not only has it received excellent reviews from critics across {…}

Reviews, Stage Reviews

Palazzetto Bru Zane 2017-18 Review – Le Tribut de Zamora: Gounod Bicentennial Year Off to a Great Start in Munich

https://operawire.com/palazzetto-bru-zane-2017-18-review-le-tribut-de-zamora-gounod-bicentennial-year-off-to-a-great-start-in-munich/

Charles Gounod (1818-1893) is probably best known for his opera “Faust” or perennial arrangement of Bach’s “Ave Maria,” which countless choir boys have crooned with cherubic innocence if not perfect intonation. In fact the pious Parisian composer was extraordinarily prolific having written twelve and a half operas (“Maître Pierre” was not completed), six oratorios, three ballets and countless masses, motets and {…}

Reviews, Stage Reviews

Review: Sabine Devieihle Makes a Shimmering NYC Debut

https://operawire.com/review-sabine-devieihle-makes-a-shimmering-nyc-debut/

Halfway through the recital opener, Berlioz’s Villanelle from “Les nuits d’été” questions arose as to why Sabine Devielhe is only just now making her New York City debut. The soprano has run rampant in Europe, with numerous albums, signed exclusively with Erato. On this night the program, which Devieilhe spoke passionately on, was based on the artist Pauline Viardot, sibling {…}