(Photo: Camilla Greenwell/Royal Opera House) Trailing draggily behind Puccini’s rue and jubilance, this season’s Royal Opera House revival of the tearful “La bohème” appears afraid of the work’s earnestness. Decked out in semi-mockeries of 1830s Paris, Richard Jones’ 2017 production favors episodes of bawdiness at the expense of the Bohemian; endangering its players’ vocal liberties. Perhaps as the result of {…}