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News

English National Opera Announces Cast Change for ‘Peter Grimes’

https://operawire.com/english-national-opera-announces-cast-change-for-peter-grimes/

The English National Opera has announced a cast change for its performance of “Peter Grimes” on Oct. 6, 2023. The company said, “Unfortunately, Gwyn Hughes Jones has not yet fully recovered and is unable to perform in ‘Peter Grimes’ tonight. Therefore the role of Peter Grimes will be performed by John Findon and the role of Bob Boles by Adam {…}

Reviews, Stage Reviews

English National Opera 2023-24 Review: Peter Grimes

https://operawire.com/english-national-opera-2023-24-review-peter-grimes/

(Photo: ENO’s Peter Grimes 2023 © Tom Bowles) David Alden’s “Peter Grimes” begins with the curtain up. Upstage the people of the Borough mill about restlessly, occasionally breaking into shouts of anger and impatience. Alden’s 2009 production, on its second revival, breaks with any wistful or bucolic notions about the seaside community of the Borough, who drive the equally unrelenting {…}

News

Operalia Competition Announces 2023 Participants

https://operawire.com/operalia-competition-announces-2023-participants/

The Operalia Competition has announced the participants for its 30th-anniversary edition. The 2023 participants hail from such countries as Russia, Italy, USA, Malta, Germany, United Kingdom, France, Armenia, South Korea, Bosnia and Herzegovina, Ukraine, Israel, South Africa, and Bulgaria. The competition will be held at the Capetown Opera and will take place from Oct. 30 through Nov. 5, 2023. Operalia {…}

Reviews, Stage Reviews

Royal Opera House 2022-23 Review: Wozzeck

https://operawire.com/royal-opera-house-2022-23-review-wozzeck/

Photo: Tristram Kenton Expectations were high for Deborah Warner’s new production of Alban Berg’s “Wozzeck” at the Royal Opera House. Warner’s acclaimed treatment of “Peter Grimes” saw her in similar territory—indeed, the debt owed to Berg’s score by Britten is considerable—in a pair of twentieth-century operas about alienated outsiders, disturbed by the very society that despises them. Both pieces are {…}

Reviews, Stage Reviews

English National Opera 2022-23 Review: The Rhinegold

https://operawire.com/english-national-opera-2022-23-review-the-rhinegold/

Photo Credit: Marc Brenner English National Opera has had a stay of execution from the swinging cuts imposed on them by Arts Council England before Christmas. At least another year of funding is guaranteed, though it has not come without casualties; the “Siegfried” planned as the next installment of their burgeoning “Ring” has reportedly been pulled. A pity, as Richard {…}

News

Natalya Romaniw, Pumeza Matshikiza & Andrew Stenson Lead Garsington Opera’s 2023 Season

https://operawire.com/natalya-romaniw-pumeza-matshikiza-andrew-stenson-lead-garsington-operas-2023-season/

The Garsington Opera has announced its 2023 season. The season opens with Rossini’s “Il barbiere di Siviglia“ with conductor Douglas Boyd condcuting Christopher Luscombe. The cast will include Andrew Stenson, Johannes Kammler, Katie Bray, Richard Burkhard, Callum Thorpe, and Josephine Goddard. Performance Dates: May 31-July 22, 2023 The company will also present Mozart’s “Mitridate, re di Ponto“ with Robert Murray, Elizabeth Watts, {…}

Reviews, Stage Reviews

English National Opera 2022-23 Review: Tosca

https://operawire.com/english-national-opera-2022-23-review-tosca/

Photo: © Genevieve Girling Christof Loy’s new production of “Tosca” for English National Opera, which first appeared in Helsinki in 2018, replaces Catherine Malfitano’s show, which received two revivals during its tenure and last appeared on the Coliseum stage in 2016. The production sees Leo Hussain return to the Coliseum pit – a distinguished Music Director of Opéra de Rouen and {…}

Reviews, Stage Reviews

English National Opera 2021-22 Review: The Handmaid’s Tale

https://operawire.com/english-national-opera-2021-22-review-the-handmaids-tale/

(Photo: Catherine Ashmore) Such has been the success of Margret Atwood’s novel “The Handmaid’s Tale” that, since its publication in 1985, it now finds itself positioned alongside other major 20th century dystopian novels, drawing comparisons with Orwell’s “1984” and Huxley’s “Brave New World.” Like them, it has entered the cultural mainstream, spawning plays, films, a ballet, a major television series, {…}